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  • Pier Paolo Calzolari Untitled, 2021 (detail) Salt, pigments, oil pastels, gold leaf, walnut, feather, steel, lead on wood 39 1/2 x 19 7/8 x 4 1/2 inches 100.3 x 50.5 x 11.4 cm

    The New York Times | What to See in N.Y.C. Galleries Right Now

    April 6, 2022 BY WILL HEINRICH Pier Paolo Calzolari is the rare conceptual artist whose paintings really look like paintings. Of course they... Read more
  • Installation view, Jay Heikes, Second Wave at Adams and Ollman.

    Art Daily | Homemade instruments and seismographic scores: Jay Heikes maps humanity's fragile arc

    February 11, 2025
  • Allison Janae Hamilton in her studio in Chelsea, Manhattan, with her collection of family photographs. Credit: DeSean McClinton-Holland

    The New York Times Style Magazine | The Artist Who Turned Her Studio Into a Family Archive

    February 10, 2025
  • Serge Alain Nitegeka – Displaced Peoples in Situ, Studio Study XXVII (2024). Photograph: Courtesy of artist and Marianne Boesky Gallery

    The Guardian | Configurations in Black: a stateless Rwandan refugee makes art out of his experience

    February 5, 2025
  • Allison Janae Hamilton, "Self-portrait", 2025. Photo: Allison Janae Hamilton

    Vogue | In “Celestine,” Artist Allison Janae Hamilton Reaches for the Cosmos

    February 3, 2025
  • Family Style | Stargazing: The artist Allison Janae Hamilton looks skyward in “Celestine” at Marianne Boesky Gallery.

    Family Style | Stargazing: The artist Allison Janae Hamilton looks skyward in “Celestine” at Marianne Boesky Gallery.

    January 29, 2025
  • Frieze | Gabriel Chaile Honours His Origins

    Frieze | Gabriel Chaile Honours His Origins

    January 15, 2025
  • Dazed | 5 contemporary artists reframing the Black figure

    Dazed | 5 contemporary artists reframing the Black figure

    December 24, 2024
  • Artforum | Editors' Picks 2024

    Artforum | Editors' Picks 2024

    December 18, 2024
  • Pinault Collection Interview with Pier Paolo Calzolari

    Pinault Collection Interview with Pier Paolo Calzolari

    December 12, 2024
  • L'Officiel | The 10 Artists at Art Basel Miami 2024 You Should Absolutely Know

    L'Officiel | The 10 Artists at Art Basel Miami 2024 You Should Absolutely Know

    December 9, 2024
  • Sanford Biggers – Kind of Real, 2024. Photograph: courtesy of Marianne Boesky Gallery, New York and Aspen

    The Guardian | ‘I’m Challenging the Narrative’: What to Expect at This Year’s Art Basel Miami

    December 6, 2024
  • Allison Janae Hamilton – Floral Mask in Bronze, 2024. Photograph: Courtesy of Marianne Boesky Gallery, New York and Aspen

    The Guardian | ‘I’m Challenging the Narrative’: What to Expect at This Year’s Art Basel Miami

    December 6, 2024
  • Photography by Joe Perri. All images courtesy of Dior.

    Cultured Magazine | ‘It Was Completely Overwhelming’: Here’s How Four Artists Put Their Spin on a Dior Classic

    December 6, 2024
  • Look 1: Spring 2025 Ready to Wear

    Vogue | Harbison: Spring 2025 Ready-To-Wear

    December 4, 2024
  • “Making Their Mark: Works from the Shah Garg Collection,” at the Berkeley Art Museum and Pacific Film Archive.

    San Francisco Chronicle | New Bay Area Art Curators Emphasize Community-Building in Shifting Museum Landscape

    December 3, 2024
  • The Haas Brothers The Strawberry Tree by at R & Company x Marianne Boesky for Design Miami 2024 Photo: Kevin Todora; Courtesy of the Nasher Sculpture Center

    Artnet | Design Miami: ‘Blue Sky’ Optimism Meets Bold Experimentation in a Shifting Market

    December 2, 2024
  • Martyn Cross, Of oil and Earth, exhibition view. Courtesy of Hales Gallery

    Meer Art | Of Oil and Earth

    December 2, 2024
  • “Final Track (We Can Do it Real Big)” (2023), Michaela Yearwood-Dan. Courtesy of Gallery 1957

    British Vogue | An Exhibition Drawing The Art Crowd To Accra This Detty December Features Stellar Black British Talent

    December 2, 2024
  • Artforum | Best of 2024: Technology

    Artforum | Best of 2024: Technology

    December 1, 2024
  • Sarah Meyohas Interference #18, 2023. Image courtesy of Marianne Boesky Gallery (Image credit: Courtesy of artist)

    Wallpaper | What To Look Out For At Art Basel Miami Beach 2024

    November 28, 2024
  • Celeste Rapone, Big chess, exhibition view. Courtesy of Corbett vs. Dempsey

    Meer Art | Big Chess

    November 25, 2024
  • Hannah van Bart, Untitled, 2020. Photo: Courtesy Marianne Boesky Gallery

    The Visual World | The Follies of Memory in Hannah van Bart's Paintings

    November 21, 2024
  • Jammie Holmes, Black Horse, 2023, installed at Lucifer Lighting’s Tribeca showroom in partnership with Marianne Boesky Gallery.

    Cultured | Look Inside the Family Business Quietly Illuminating the Farthest Reaches of the Art and Fashion Worlds

    November 19, 2024
  • Celeste Rapone, Big Chess, 2024. Courtesy of the artist and Corbett vs. Dempsey. Photograph by Nathan Keay.

    Art Basel | Seven Exhibitions to See in Chicago this Winter

    November 18, 2024
  • Photography: Courtesy of Dior

    L'Officiel | Dior's Lady Art Project Returns With Stunning Artist-Made Bags

    November 14, 2024
  • Sarah Meyohas, Interference #18, 2023. On view at Art Basel Miami Beach 2024. © of the artist.

    Art Basel | How I Became An Artist: Sarah Meyohas

    November 14, 2024
  • John Waters and the cast of 'Kiddie Flamingos'

    48 Hills | John Waters’ Art Show? ‘A Hit Parade of Hell’

    November 13, 2024
  • Hannah van Bart, Untitled, 2024. Photo: Courtesy Marianne Boesky Gallery

    Galerie Magazine | 6 Must-See Solo Gallery Shows in November

    November 6, 2024
  • Allison Janae Hamilton, A House Called Florida, 2022, film still. Courtesy: © Allison Janae Hamilton and Marianne Boesky Gallery, New York and Aspen

    Frieze | Allison Janae Hamilton: ‘My Blackness is a Land-Based Experience’

    October 30, 2024
  • Jammie Holmes ‘Back Horse’ (2023), acrylic on canvas, 90 inches by 120 inches, photo by Garrett Carroll

    Forbes | Lucifer Lighting Amplifies Nuance Of Jammie Holmes’ Paintings Examining The Black Experience In America’s Deep South

    October 23, 2024
  • Haven (2024) by Danielle Mckinney © Danielle Mckinney. Courtesy of Marianne Boesky Gallery and Max Hetzler.

    Architectural Digest | Bed Rotting, Adult Bunk Beds, and “Bedcore”: How Sleep Culture Took Over the World

    October 10, 2024
  • Hannah van Bart. “Untitled” (2020). Oil on Linen. 25 ⅝ x 19 ¾ in.

    FLAUNT | Hannah Van Bart | Inner Homeland at Marianne Boesky Gallery

    October 10, 2024
  • Courtesy of the Artist and Marianne Boesky Gallery.

    Hypebeast | Jammie Holmes Explores Flower Power in 'Morning Thoughts'

    October 10, 2024
  • Black Butterfly, Jammie Holmes, 2024, copyright of Jammie Holmes. Image: courtesy of Marianne Boesky Gallery.

    Ebony | Your Best Self: Art Exhibitions to See This Fall That Will Expand Your Mind

    October 7, 2024
  • Installation view, “Mary Lovelace O’Neal: New Work” at the San Francisco Museum of Modern Art. Photo: Don Ross

    Datebook | Mary Lovelace O'Neal is Creating Stunning New Work at 82

    October 2, 2024
  • Artist-filmmaker John Waters. Photo: Greg Gorman

    Datebook | ‘The Worst of Waters’ Highlights the Artist-Filmmaker’s Best Work

    September 28, 2024
  • Sotheby's Magazine | London’s New Generation of Abstract Painters

    Sotheby's Magazine | London’s New Generation of Abstract Painters

    September 27, 2024
  • Mary Lovelace O’Neal: La Pieta, 2021–23. Photo Michael Covián/Courtesy The Artist And Karen Jenkins-Johnson

    Art News | Mary Lovelace O'Neal on Painting Layers of Blackness and the Spaces In Between

    September 25, 2024
  • Danielle Mckinney, The Companion, 2024, oil on linen, 61 × 76.2 cm.Courtesy: © Danielle Mckinney and Galerie Max Hetzler Berlin | Paris | London | Marfa; photograph: Pierre le Hors

    Frieze | Must-See: Danielle McKinney Prioritizes Stillness

    September 25, 2024
  • Jammie Holmes’s “Untitled” (2024).

    The New York Times | An Illustrated Guide to Fall's New Books

    September 24, 2024
  • Galerie Max Hetzler.

    Hypebeast | Danielle Mckinney Turns Inward in ‘Haven’

    September 17, 2024
  • John Waters with the cast of 'Kiddie Flamingos' (photo: John Waters/courtesy Rena Bransten Gallery)

    Bay Area Reporter | 'The Worst of Waters' - Filmmaker John Waters Shares His Odd Art at Rena Bransten Gallery

    September 16, 2024
  • Danielle Mckinney, Haven, 2024. Image courtesy of the artist and Max Hetzler.

    Cultured Magazine | Headed to Europe This Fall? Here Are 11 Solo Exhibitions That Can’t Be Missed

    September 16, 2024
  • Sanford Biggers Mirror, 2024 Marble 99 7/8 x 29 7/8 x 21 1/4 inches 253.7 x 75.9 x 54 cm, courtesy Marianne Boesky Gallery and Sanford Biggers Studio

    Whitehot Magazine | Anatomy Lessons at the Armory Show

    September 12, 2024
  • Sanford Biggers, Sugar Sell the Pie, 2023, Photo © Lance Brewer

    Design Bloom | Seventeen Artists Illustrate Displacement and Defiance at Southern Guild Los Angeles

    September 10, 2024
  • WNYC | Artist Gina Beavers on 'Divine Consumer' Exhibit

    WNYC | Artist Gina Beavers on 'Divine Consumer' Exhibit

    September 6, 2024
  • The Brooklyn Rail | Gina Beavers: Divine Consumer

    The Brooklyn Rail | Gina Beavers: Divine Consumer

    September 5, 2024
  • Gina Beavers, Blue gingham ottoman stack (2024). © Gina Beavers. Photo: Charles Benton. Courtesy of the artist and Marianne Boesky Gallery.

    Artnet | Here Are 11 Must-see Gallery Shows This Armory Art Week

    September 5, 2024
  • Gina Beavers’s “Red Towel Totems,” 2024, in her solo show “Divine Consumer.”Credit...Gina Beavers, via Marianne Boesky Gallery, New York and Aspen

    The New York Times | What To See in N.Y.C. Galleries in September

    September 4, 2024
  • Photography by Ema Peter and Dror Baldinger, courtesy of ZGF Architects

    Surface Magazine | A Stunning Mass-Timber Gateway into Portland

    September 3, 2024
  • Gina Beavers, Chunky Knit Throw in Port, 2024; oil, acrylic, foam, paper pulp and wood stain on panel, 21 x 21 x 3 1/4 inches, 53.3 x 53.3 x 8.3 cm. Copyright of Gina Beavers. Courtesy Marianne Boesky Gallery

    Observer | The Must-See Gallery Shows That Opened During Armory Week

    September 3, 2024
  • Gina Beavers, Knit weighted blanket landscape, 2024; Oil, acrylic, foam and wood stain on panel, 73 1/2 x 107 x 9 inches / 186.7 x 271.8 x 22.9 cm. Copyright of Gina Beavers. Courtesy Marianne Boesky Gallery

    Observer | Gina Beavers on Targeting Comfort in Consumer Culture in Her New Show

    September 2, 2024
  • Donald Moffett Lot 110123 (nature cult, houses), 2023 Wood, acrylic and steel 56 1/4 x 43 1/2 x 36 inches 142.9 x 110.5 x 91.5 cm

    The Brooklyn Rail | Donald Moffett: NATURE CULT, SEEDED

    August 29, 2024
  • Photography by Wolf Matthewson

    Rhode Island Monthly | Hanging Courtside at Providence’s Ninth Street Courts

    August 28, 2024
  • Parrish Art Museum | Parrish Art Museum Announces Remarkable New Additions To Its Collection

    Parrish Art Museum | Parrish Art Museum Announces Remarkable New Additions To Its Collection

    August 26, 2024
  • artnet | A Neo-Rococo Movement Is On the Rise—But What Does It All Mean?

    artnet | A Neo-Rococo Movement Is On the Rise—But What Does It All Mean?

    August 16, 2024
  • Fraternal twins Simon (left) and Nikolai Haas bring double the fun, charm, and whimsy to the art world.

    Dallas Observer | Double Vision: With Moonlight, the Haas Brothers Bring Endless Charm to the Nasher

    August 14, 2024
  • Danielle McKinney, Evening Star, 2024 (detail). Courtesy of the artist and Marianne Boesky Gallery.

    Art Basel | These Black Female Painters Use Fashion to Celebrate Heritage, Pride, and Power

    August 6, 2024
  • Haas Brothers, "The Strawberry Tree" (2024), cast bronze, blown glass, glass beads, Pele de Tigre marble, and light, 171 x 188 x 176 inches (434.34 x 477.52 x 447.04 cm) (artwork courtesy the artists, Marianne Boesky Gallery, New York, and Lora Reynolds Gallery, Austin; photo by Kevin Todora, courtesy the Nasher Sculpture Center)

    Hyperallergic | The Winking Irony of “Ecological” Luxury

    July 30, 2024
  • Cultured | Here Are the 10 Cultural Happenings Not to Miss in Aspen This Summer

    Cultured | Here Are the 10 Cultural Happenings Not to Miss in Aspen This Summer

    July 15, 2024
  • Galerie | 8 Must-See Solo Gallery Shows in July

    Galerie | 8 Must-See Solo Gallery Shows in July

    July 3, 2024
  • Haas Brothers, Emergent Zoidberg, 2024. Cast bronze and light, 96 x 62 5/8 x 62 1/8 inches. Courtesy Lora Reynolds Gallery, Austin and the Nasher Sculpture Center. Photo: Kevin Todora.

    The Brooklyn Rail | Haas Brothers: Moonlight

    July 1, 2024
  • Samara Golden, Missing Pieces from A Fall of Corners #7 (2015-2024).

    Observer | Between the Material and the Sublime: A Look at Marianne Boesky's Summer Shows

    June 27, 2024
  • Rockefeller Center Magazine | Artist Sarah Meyohas Brings a Musical Alternate World Featuring Holographic Birds to the Top of The...

    Rockefeller Center Magazine | Artist Sarah Meyohas Brings a Musical Alternate World Featuring Holographic Birds to the Top of The Rock
  • RSA Journal | Ghada Amer: The Art of Protest

    RSA Journal | Ghada Amer: The Art of Protest

    June 25, 2024
  • The Aspen Times | New Exhibition by Egyptian Artist Ghada Amer Opens at Aspen's Marianne Boesky Gallery

    The Aspen Times | New Exhibition by Egyptian Artist Ghada Amer Opens at Aspen's Marianne Boesky Gallery

    June 25, 2024
  • Artists and designers Nikolai (left) and Simon Haas, who work collaboratively as the Haas Brothers.

    Galerie Magazine | Six Milestones from the Haas Brothers Extraordinary Career

    June 10, 2024
  • New York Magazine | To Do: Twenty-Five Things to See, Hear, Watch, and Read

    New York Magazine | To Do: Twenty-Five Things to See, Hear, Watch, and Read

    June 3, 2024
  • Danielle Mckinney, Easy Over, 2023. Oil on linen, 14 x 11 inches. © Danielle Mckinney. Courtesy the artist and Marianne Boesky Gallery, New York and Aspen.

    The Brooklyn Rail | Danielle McKinney: Fly on the Wall

    June 1, 2024
  • Suzanne McClelland PREY (heads or tails), 2024 Charcoal and oil on canvas 84 x 75 1/8 inches, 213.4 x 190.8 cm

    Hyperallergic | The Adroit Formalism of Suzanne McClelland

    May 21, 2024
  • The Haas Brothers, The Strawberry Tree, 2023. Digital Rendering, 2023.

    Art & Object | Nasher Sculpture Center Exhibition: Haas Brothers Illuminations

    May 14, 2024
  • Cultured Magazine | Danielle McKinney, Loie Hollowell, and More Reflect on How Motherhood Changed Their Relationships with Art

    Cultured Magazine | Danielle McKinney, Loie Hollowell, and More Reflect on How Motherhood Changed Their Relationships with Art

    May 11, 2024
  • Cultured Magazine | This Year, the Haas Brothers Turn 40. They’re Celebrating With Their Biggest Show Yet—and a Texan Homecoming

    Cultured Magazine | This Year, the Haas Brothers Turn 40. They’re Celebrating With Their Biggest Show Yet—and a Texan Homecoming

    May 10, 2024
  • Artist Jammie Holmes in his Design District studio.(Chitose Suzuki / Staff Photographer)

    The Dallas Morning News | How Self-Taught Dallas Painter Jammie Holmes Became a National Name

    May 9, 2024
  • Frank Stella at his studio in New York City in 1995. Photo: Bob Berg/Getty Images

    Apollo Magazine | What Frank Stella saw – and what he made us see

    May 8, 2024
  • HYPERBEAST | The Haas Brothers Reveal Their First-Ever Paintings in New 'Inner Visions' Exhibition

    HYPERBEAST | The Haas Brothers Reveal Their First-Ever Paintings in New 'Inner Visions' Exhibition

    May 8, 2024
  • Art Review | Frank Stella, American postwar pioneer, 1936–2024

    Art Review | Frank Stella, American postwar pioneer, 1936–2024

    May 7, 2024
  • Ocula | Frank Stella, Lifelong Advocate of Abstraction, Dies at 87

    Ocula | Frank Stella, Lifelong Advocate of Abstraction, Dies at 87

    May 6, 2024
  • Hypebeast | Frank Stella, the ‘Father of Minimalism’ Has Died, Age 87

    Hypebeast | Frank Stella, the ‘Father of Minimalism’ Has Died, Age 87

    May 6, 2024
  • The Wall Street Journal | Remembering Frank Stella, an Ever-Evolving Master Artist

    The Wall Street Journal | Remembering Frank Stella, an Ever-Evolving Master Artist

    May 6, 2024
  • The Architect's Newspaper | Frank Stella, an artist who brought painting into architecture, dies at 87

    The Architect's Newspaper | Frank Stella, an artist who brought painting into architecture, dies at 87

    May 6, 2024
  • Artforum | Frank Stella (1936–2024)

    Artforum | Frank Stella (1936–2024)

    May 6, 2024
  • Hyperallergic | Abstract Trailblazer Frank Stella Dies at 87

    Hyperallergic | Abstract Trailblazer Frank Stella Dies at 87

    May 6, 2024
  • The Art Newspaper | Frank Stella, a painter's painter and one of the leading abstract artists of his generation, has...

    The Art Newspaper | Frank Stella, a painter's painter and one of the leading abstract artists of his generation, has died, aged 87

    May 5, 2024
  • The Guardian | Frank Stella obituary

    The Guardian | Frank Stella obituary

    May 5, 2024
  • The Washington Post | Confined by early praise, Frank Stella found freedom in extravagance

    The Washington Post | Confined by early praise, Frank Stella found freedom in extravagance

    May 5, 2024
  • New York Times | Frank Stella Went From Bauhaus to Fun House

    New York Times | Frank Stella Went From Bauhaus to Fun House

    May 5, 2024
  • Associated Press | Frank Stella, artist renowned for blurring the lines between painting and sculpture, dies at 87

    Associated Press | Frank Stella, artist renowned for blurring the lines between painting and sculpture, dies at 87

    May 4, 2024
  • Los Angeles Times | Frank Stella, minimalist painter and sculptor, dies at 87

    Los Angeles Times | Frank Stella, minimalist painter and sculptor, dies at 87

    May 4, 2024
  • The Washington Post | Frank Stella, celebrated artist of minimalist power, dies at 87

    The Washington Post | Frank Stella, celebrated artist of minimalist power, dies at 87

    May 4, 2024
  • The Boston Globe | Frank Stella, Malden native who expanded boundaries of modern art, dies

    The Boston Globe | Frank Stella, Malden native who expanded boundaries of modern art, dies

    May 4, 2024
  • The New Yorker | The Indestructible Art of Frank Stella

    The New Yorker | The Indestructible Art of Frank Stella

    May 4, 2024
  • artnet | Frank Stella, American Artist Who Moved from Proto-Minimalism to Extreme Abstraction, Dies at 87

    artnet | Frank Stella, American Artist Who Moved from Proto-Minimalism to Extreme Abstraction, Dies at 87

    May 4, 2024
  • CNN | Renowned American artist Frank Stella dies aged 87

    CNN | Renowned American artist Frank Stella dies aged 87

    May 4, 2024
  • ARTnews | Frank Stella, Trailblazing Artist Who Pushed Abstraction to Its Limits, Dies at 87

    ARTnews | Frank Stella, Trailblazing Artist Who Pushed Abstraction to Its Limits, Dies at 87

    May 4, 2024
  • New York Times | Frank Stella, Towering Artist and Master of Reinvention, Dies at 87

    New York Times | Frank Stella, Towering Artist and Master of Reinvention, Dies at 87

    May 4, 2024
  • NPR | Renowned painter and pioneer of minimalism Frank Stella dies at 87

    NPR | Renowned painter and pioneer of minimalism Frank Stella dies at 87

    May 4, 2024
  • Suzanne McClelland, GHOST at Dusk-Sybil’s Retreat (detail), 2024. Mixed media on canvas, 84 x 75 1/8 inches, 213.4 x 190.8 cm

    The Brooklyn Rail | Suzanne McClelland with Nancy Princenthal

    May 1, 2024
  • Photo: Lance Brewer.

    Vogue | Mary Lovelace O'Neal: What I paint now I do with a complete sense of dedication

    April 29, 2024
  • Harper's Bazaar | Danielle Mckinney Wants Us to Sit With Our Inner Quiet Storms

    Harper's Bazaar | Danielle Mckinney Wants Us to Sit With Our Inner Quiet Storms

    April 25, 2024
  • Document Journal | Danielle Mckinney’s portraits of glamor

    Document Journal | Danielle Mckinney’s portraits of glamor

    April 24, 2024
  • Culture Type | Mary Lovelace O’Neal's Alluring New Paintings Were ‘Made In Mexico By Hand’

    Culture Type | Mary Lovelace O’Neal's Alluring New Paintings Were ‘Made In Mexico By Hand’

    April 18, 2024
  • The Guardian | ‘Women are not usually seen to be resting’: Danielle Mckinney’s portraits of repose

    The Guardian | ‘Women are not usually seen to be resting’: Danielle Mckinney’s portraits of repose

    April 17, 2024
  • Installation view, Mary Lovelace O'Neal at Marianne Boesky.

    Whitehot Magazine | Paint it Black: Mary Lovelace O'Neal at Marianne Boesky

    April 16, 2024
  • Gabriel Chaile, Ella vendrá a pagarle todo (She will come to pay him for everything), 2023. Adobe, metal, and wax crayon. Courtesy the artist; BARRO Arte Contemporáneo, Buenos Aires/New York; ChertLüdde, Berlin; Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro; and NVS, Lisbon. Photo by Whit Forrester/Courtesy of BAMPFA

    Artishock | Gabriel Chaile: No Hay Nada Que Destruya El Corazón Como La Pobreza

    April 12, 2024
  • 48 hills | The Great Migration travels beyond South to North in ‘Movement in Every Direction’

    48 hills | The Great Migration travels beyond South to North in ‘Movement in Every Direction’

    April 10, 2024
  • Haber Arts | Bright lights, Black city

    Haber Arts | Bright lights, Black city
  • Interview Magazine | Mary Lovelace O’Neal Finds Interviews “Fucking Stupid.” But Not This One.

    Interview Magazine | Mary Lovelace O’Neal Finds Interviews “Fucking Stupid.” But Not This One.

    April 2, 2024
  • View of “John Waters: Pope of Trash” 2023–24. Photo: Charles White/JW Pictures.

    Artforum | John Waters

    April 1, 2024
  • Financial Times | 10 things to see, eat and buy in April, Tables to book, shows to see, pop-ups to...

    Financial Times | 10 things to see, eat and buy in April

    Tables to book, shows to see, pop-ups to shop
    Financial Times, April 1, 2024
  • LEAD IMAGE Easy Over (2023) Copyright of Danielle Mckinney and courtesy of Marianne Boesky Gallery

    AnOther | Danielle Mckinney, the Painter Depicting Black Women Revelling in Rest

    March 26, 2024
  • NFT Now | Beyond Bitchcoin: The Making of Sarah Meyohas

    NFT Now | Beyond Bitchcoin: The Making of Sarah Meyohas

    March 21, 2024
  • Danielle McKinney. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen

    Artnet | ‘‘We Don’t Always Have to Be Sexual’: Danielle Mckinney on Her Potent Portraits of Feminine Solitude

    March 15, 2024
  • Jennifer Bartlett, “Pool,” 1983, oil on canvas. (Private Collection/Locks Gallery/Jennifer Bartlett 2013 Trust)

    The Washington Post | The Repetitive Power of Jennifer Bartlett, Master of the '80s Art World

    March 14, 2024
  • Blue Whale a.k.a. #12 (from the Whales Fucking Series), 1980s-1990s. Courtesy of the Artist.

    New York Times | DOZENS OF ARTISTS, 3 CRITICS: WHO’S AFRAID OF THE WHITNEY BIENNIAL 2024?

    March 13, 2024
  • Danielle Mckinney, photographed at her Jersey City, N.J., studio on Dec. 20, 2023, in front of “She” (2023).

    T Magazine | Danielle Mckinney Never Thought Her Paintings Would Be Seen Like This

    February 17, 2024
  • Michaela Yearwood-Dan, Forgive you and forget you, 2023 © Michaela Yearwood-Dan. Courtesy the artist and Marianne Boesky Gallery. Photo: (Deniz Guzel)

    Art Basel | Reinventing Abstraction

    Discover Artists Reclaiming Abstract Painting at Art Basel Hong Kong
    Art Basel, February 15, 2024
  • Michaela Yearwood-Dan. Photo by Sam Hylton. Image courtesy Michaela Yearwood-Dan.

    Artnet News | Meet 8 Artists Who Broke Big in 2023 — From Sculptor Mire Lee to Abstract Painter Rachel Jones

    December 22, 2023
  • Images from Sarah Meyohas’s “Cloud of Petals” series. Photo courtesy Sarah Meyohas.

    Artnet News | ‘No Need to Be Afraid of These New Tools’: Lynn Hershman Leeson, Sarah Meyohas, and Cai Guo-Qiang on Our A.I. Futures

    December 22, 2023
  • Hypebeast | Ghada Amer Recontextualizes QR Codes in New London Exhibition

    Hypebeast | Ghada Amer Recontextualizes QR Codes in New London Exhibition

    December 11, 2023
  • Ghada Amer, en la Galería Ana Serratosa (Valencia), frente a uno de sus cuadros elaborados con bordados. Photo: Nacho López Ortiz.

    Architectural Digest | Ghada Amer: "No soy activista, pero creo en el poder de la belleza y la sutileza para señalar injusticias"

    December 7, 2023
  • Courtesy Tina Kim Gallery. Photo: Hyunjung Rhee.

    Artsy | Why Folding Screens Are Popping Up in Contemporary Artists’ Work

    December 6, 2023
  • Ghada Amer, ‘Paravent Girls’, 2023, installation view. Courtesy Tina Kim Gallery, New York; photograph: Hyunjung Rhee

    Frieze | Ghada Amer Refigures the Othered Woman

    November 27, 2023
  • Fort Worth | Artist Jammie Holmes to Host His First Solo Exhibition

    Fort Worth | Artist Jammie Holmes to Host His First Solo Exhibition

    November 22, 2023
  • Fort Worth Magazine | Jammie Holmes Comes Full Circle

    Fort Worth Magazine | Jammie Holmes Comes Full Circle

    November 22, 2023
  • Installation view of Frank Stella: Indian Birds at Mnuchin Gallery, October 4 — December 9, 2023. Copyright 2023 Frank Stella/Artists Rights Society (ARS), New York.

    Whitehot Magazine | A Rare Bird — Frank Stella: Indian Birds at Mnuchin Gallery

    November 22, 2023
  • Dallas Observer | Jammie Holmes Shares the Universal Black Experience at The Modern Art Museum

    Dallas Observer | Jammie Holmes Shares the Universal Black Experience at The Modern Art Museum

    November 21, 2023
  • Martyn Cross, The Sea Does Not Want You, 2023, Oil on canvas, 12 1/8 x 10 1/8 inches. Courtesy Marianne Boesky Gallery, New York and Aspen.

    Brooklyn Rail | Martyn Cross: All Shall Be Well

    November 20, 2023
  • Exhibition view: Ghada Amer, Paravent Girls, Tina Kim Gallery, New York (26 October — 9 December 2023). Courtesy Tina Kim Gallery. Photo: Hyunjung Rhee.

    Ocula | Another Revolutionary Woman: Ghada Amer’s Paravent Girls

    Banyi Huang, November 9, 2023
  • Zanele Muholi, “The Politics of Black Silhouettes”. Photo: Dimitar DILKOFF

    Observer | Pre-Game Paris+ par Art Basel with a Visit to the Jardin des Tuileries

    October 16, 2023
  • John Waters. Photo: Greg Gorman, copyright: Academy Museum Foundation

    Artnet | See Inside the First Museum Retrospective Dedicated to John Waters's Unparallelled Contributions to Cinema — and Bad Taste

    October 14, 2023
  • Jammie Holmes, Book for Black Folks

    Two Coats of Paint | Jammie Holmes’s Urgent Intimacy

    October 12, 2023

  • Washington Post | In the Gallery: Captivating Works of Celestial and Terrestrial

    October 5, 2023
  • “Hairspray (1988).” Courtesy of Warner Bros. Photo: Henny Garfunkel

    Observer | One Fine Show: John Waters at the Academy Museum in Los Angeles

    September 29, 2023
  • Sanford Biggers in his studio in the Bronx. Photo: Christopher Garcia Valle

    Art News | Sanford Biggers Remixes Centuries of Art History in a Slew of New Solo Shows This Fall

    September 28, 2023
  • Hyperallergic | Ecology from the Perspective of the Marginalized

    Hyperallergic | Ecology from the Perspective of the Marginalized

    September 25, 2023
  • Simon and Nikolai Haas. Photo: Mason Poole

    The Grand Tourist | The Haas Brothers: Enfants Terribles No More

    September 20, 2023
  • D Magazine | At the Modern, Artist Jammie Holmes’ Solo Exhibition Stokes a Revolution In the Everyday

    D Magazine | At the Modern, Artist Jammie Holmes’ Solo Exhibition Stokes a Revolution In the Everyday

    September 19, 2023
  • Painting Georgia O’Keefe’s Flower on my lips, 2023. Images courtesy of the artist and rodolphe janssen, Brussels. All images © Charles Benton.

    ArtDaily | 'Florid', The First Solo Exhibition of Gina Beavers Opens at Rodolphe Janssen

    September 19, 2023
  • “John Waters: Pope of Trash.” Published by the Academy Museum of Motion Pictures, Los Angeles/Delmonico Books

    Surface Magazine | The World Still Hasn't Caught Up to John Waters

    September 18, 2023
  • Photographs by Damien Maloney for The New Yorker

    New Yorker | John Waters is Ready for his Hollywood Closeup

    The director reflects on getting a star on the Walk of Fame and a museum retrospective about his career as a cinematic provocateur.
    September 17, 2023
  • Photo: Greg Gorman

    Variety | John Waters Talks Trash, Divine Inspirations and Why Anti-Drug Laws are Doomed to Fail

    September 14, 2023
  • Brooklyn Magazine | A Devilish Director Gets His Due: John Waters on 50 Years of Cinematic Chaos

    Brooklyn Magazine | A Devilish Director Gets His Due: John Waters on 50 Years of Cinematic Chaos

    September 13, 2023
  • Whitehot Magazine | Sanford Biggers: Meet Me on the Equinox

    Whitehot Magazine | Sanford Biggers: Meet Me on the Equinox

    September 13, 2023
  • Photo by Meghan Marin

    W Magazine | In A New Exhibition, Sanford Biggers Lives With "The Ruins of History"

    September 13, 2023
  • Los Angeles Magazine | John Waters Talks Hollywood Influences Ahead of Academy Museum Exhibit, Walk of Fame Star

    Los Angeles Magazine | John Waters Talks Hollywood Influences Ahead of Academy Museum Exhibit, Walk of Fame Star

    September 11, 2023
  • Photo Credit: Austin Hunt

    Ebony Magazine | How Artist Jammie Holmes Captures Black Male Vulnerability and Joy in His Engaging Portraits

    September 4, 2023
  • Photo Credit: Maansi Srivastava, New York Times

    New York Times | Channeling Her Anger, Ghada Amer Looks to the Future

    August 31, 2023
  • Photo Credit: Emery Bastable

    Dallas Morning News | Dallas artist Jammie Holmes pays homage to his Louisiana hometown at the Fort Worth Modern

    August 18, 2023
  • Partial view of Salir del surco al labrar la tierra: delirios de grandeza II (Leaving the Furrow When Tilling the Soil: Delusions of Grandeur II), ©Photo courtesy of Barro.

    Whitehot Magazine | Gabriel Chaile's Works Stand For Timeless Existences

    August 1, 2023
  • Installation view of Meia-Noite (Midnight) (2022), Gabriel Chaile at Anozero, Bienal de Arte Contemporânea de Coimbra. Photo: Jorge de la Garza; courtesy Barro Arte Contemporáneo, Gabriel Chaile and ChertLüdde

    Apollo Magazine | For Gabriel Chaile, The Way To The Art is Through The Stomach

    July 24, 2023
  • Fashion Network | 'Yves Saint Laurent — Shapes and Forms' as seen by Madison Cox

    Fashion Network | 'Yves Saint Laurent — Shapes and Forms' as seen by Madison Cox

    Godfrey Deeny, Fashion Network, June 30, 2023
  • Formal ensemble worn by Iman, Saint Laurent Rive Gauche autumn-winter 1988 collection. © Yves Saint Laurent © Guy Marineau

    WWD | At Yves Saint Laurent Museum, An Artist Dialogues with the Archives

    June 8, 2023
  • Donald Moffett Lot 091819 (the pentagonal oak), 2019 124 x 128 x 6 1/2 inches 315 x 325.1 x 16.5 cm

    domus | How to address the unthinkable in art

    June 1, 2023
  • W Magazine | Sarah Meyohas's Tech Art Explores The Mechanics of Perception

    W Magazine | Sarah Meyohas's Tech Art Explores The Mechanics of Perception

    May 15, 2023
  • Sanford Biggers Photo Credit: Mary Inhea Kang

    The New York Times | An Exhibition Proposes Alternatives to Removing Contentious Statues

    April 26, 2023
  • Hyperallergic | Brooklyn Museum Presents A Movement in Every Direction: Legacies of the Great Migration

    Hyperallergic | Brooklyn Museum Presents A Movement in Every Direction: Legacies of the Great Migration

    April 4, 2023
  • Celeste Rapone Weekenders, 2023 75 x 65 3/4 inches 188 x 167 cm

    Frieze | Adulting According to Celeste Rapone

    March 30, 2023
  • Photograph by Samuel Hylton

    Glossary | Artist Michaela Yearwood-Dan on finding joy through art and reclaiming beauty

    March 9, 2023
  • Artsy | At the Brooklyn Museum, 12 Artists Poignantly Capture the Legacies of the Great Migration

    Artsy | At the Brooklyn Museum, 12 Artists Poignantly Capture the Legacies of the Great Migration

    March 7, 2023
  • Sarah Meyohas BITCHCOIN, Public Key: B5FHa2ufgSMi9fwtToFaEUo1mF9ChPd5J, 2022 5 1/4 x 7 1/4 inches 13.3 x 18.4 cm (SME.19692)

    Artnet News | Sarah Meyohas’s Pioneering Bitchcoin NFT Is Entering the Centre Pompidou’s Collection in a Landmark Acquis

    March 3, 2023
  • Photo Credit: Matthew Morrocco

    Flaunt | Sanford Biggers / The Interplay Of Narrative And Linguistics In Quilting

    February 28, 2023
  • Sanford Biggers re:mancipation exhibition at Chazen Museum of Art

    Forbes | Sanford Biggers Leads Re:mancipation Project At Chazen Art Museum In Madison, Wisconsin

    February 22, 2023
  • Jammie Holmes A toast to Kathleen Cleaver, 2022 84 x 60 inches 213.4 x 152.4 cm (JHO.19502)

    i-D | For Jammie Holmes, the canvas is a place of self-discovery

    February 20, 2023
  • MICHAELA YEARWOOD-DAN. “PARADISE” (2022). TITLED, SIGNED, AND DATED IN INK (VERSO): “PARADISE” ‘22 [SIGNATURE]. OIL ON CANVAS. 78 3⁄4” X 59 1⁄8”

    Flaunt | We’re Not So Sure Where We’re Going, and Baby That’s Alright

    February 17, 2023
  • Jammie Holmes Still at the wrong table, 2022 72 x 96 inches 182.9 x 243.8 cm (JHO.19914)

    ARTnews | Painter Jammie Holmes Wrestles with What It Means to Belong

    February 17, 2023
  • The Africa Report | Egypt - France: Ghada Amer in Marseille: Art Dedicated to the Feminist Cause

    The Africa Report | Egypt - France: Ghada Amer in Marseille: Art Dedicated to the Feminist Cause

    February 3, 2023
  • Jennifer Bartlett’s “Untitled” (1971), in the show “Works on Paper, 1970–1973” at Marianne Boesky Gallery. Credit...via Marianne Boesky Gallery, New York and Aspen, Paula Cooper Gallery, New York, and The Jennifer Bartlett 2013 Trust; Photo by Lance Brewer

    The New York Times | Art Gallery Shows to See in February

    February 1, 2023
  • Martyn Cross A Tomb for Immortal Ascension, 2022 Oil on unstretched canvas with eyelets 83 3/4 x 122 5/8 inches 212.7 x 311.5 cm (MRC.19933)

    Artforum | Martyn Cross

    February 1, 2023
  • Art in America | In Abstract, Haunting, and Poignant Works, Artists Reflect on the Great Migration in a Major Exhibition

    Art in America | In Abstract, Haunting, and Poignant Works, Artists Reflect on the Great Migration in a Major Exhibition

    January 30, 2023
  • Hyperallergic | The Dirty South Comes to Denver

    Hyperallergic | The Dirty South Comes to Denver

    January 12, 2023
  • DSCENE | Discover the 7th Edition of Dior Lady Art Project

    DSCENE | Discover the 7th Edition of Dior Lady Art Project

    January 3, 2023
  • Haas Brothers, 'Bench in the Cogs.' Brass, faux fur. Courtesy of Gallery All Shanghai.

    Artnet News | The Haas Brothers Take Their Fantastical Creatures to Shanghai in the Designs’ First Appearance in China

    December 16, 2022
  • Surface Magazine | You May View Nature Differently After Seeing Sarah Meyohas's Holograms

    Surface Magazine | You May View Nature Differently After Seeing Sarah Meyohas's Holograms

    November 30, 2022
  • Martyn Cross The Crackless Egg, 2022 Oil on canvas 5 7/8 x 4 1/8 inches 14.9 x 10.5 cm (MRC.19928)

    Albam | Grown Up from the Earth: A Conversation with Martyn Cross

    November 23, 2022
  • Shirley Woodson, Shield of the Nile No. 2, 1984.

    Artforum | ANONYMOUS WAS A WOMAN ANNOUNCES $375,000 IN GRANTS

    November 16, 2022
  • Danielle Mckinney Calvary, 2022 (detail) Acrylic on canvas 30 x 24 inches 76.2 x 61 cm

    Artsy | In Danielle Mckinney's Lyrical Paintings, Black Women Reclaim Domestic Space

    October 31, 2022
  • Photo Credit: Pierre Le Hors

    Cultured | Danielle Mckinney Embraces the Golden Hour

    October 12, 2022
  • Mary Lovelace O’Neal at the On the Edge gala and after party for the Fine Arts Museums of San Francisco on Sept. 6 at the de Young Museum, honoring her and Guo Pei. Photo: Aaron Wojack / Special to The Chronicle

    Datebook | Oakland painter Mary Lovelace O’Neal honored at On the Edge gala at de Young Museum

    October 7, 2022
  • Photo Credit: Meghan Marin

    W Magazine | In the Studio With Danielle Mckinney, the Artist Bringing Intimate Moments to Life

    September 28, 2022
  • Danielle Mckinney Dream Catcher, 2021 (detail) Acrylic on Canvas 24 x 18 inches 61 x 45.7 cm

    Vogue | The Interior Lives of Danielle Mckinney

    September 20, 2022
  • A further section of Rhapsody, 1975-76, which Jennifer Bartlett said was about ‘everything’. Photograph: Timothy A Clary/AFP/Getty Images

    The Guardian | Jennifer Bartlett Obituary

    August 9, 2022
  • Visitors to the Museum of Modern Art in New York viewing Jennifer Bartlett’s signature work, Rhapsody in 2006. In 1976, the English critic John Russell called it “the most ambitious single work of new art that has come my way since I started to live in New York.” Credit : Keith Bedford for The New York Times

    The New York Times | Jennifer Bartlett, Conceptual Painter on a Vast Scale, Dies at 81

    August 4, 2022
  • Photo: Jason Schmidt

    Architectural Digest | 25 Dreamy Wood Kitchens From the ADArchive

    August 2, 2022
  • Jennifer Bartlett: Air: 24 Hours at Paula Cooper Gallery, New York, 3-31 October 1992. Photo by Geoffrey Clements.

    The Art Newspaper | Jennifer Bartlett, a painter known for her conceptual approach and grids, has died, aged 81

    July 29, 2022
  • Credit: Takaaki Matsumoto

    Far Out | Abstract painter Jennifer Bartlett has died at age 81

    July 28, 2022
  • Jennifer Bartlett. Photo: Takaaki Matsumoto.

    Artforum | Jennifer Bartlett (1941–2022)

    July 27, 2022
  • Jennifer Bartlett. Ceiling installation, Homan-ji Temple, Choshi-shi, Japan (1991-92) commissioned by Homan-ji Temple. Collection of the Homan-ji Temple.

    Artnet News | Artist Jennifer Bartlett, Known for Her Intensive Investigations Into the Possibilities of Painting, Has Died at Age 81

    July 27, 2022
  • Photo: Susan Wood/Getty Images

    Vulture | Jennifer Bartlett’s Great Tree of Life

    July 27, 2022
  • Artist Jennifer Bartlett was best known for her installation “Rhapsody,” a collection of 987 painted steel plates that was acquired by the Museum of Modern Art in New York. (Timothy A. Clary/AFP/Getty Images)

    The Washington Post | Jennifer Bartlett, artist who made steel plates her canvas, dies at 81

    July 27, 2022
  • Jennifer Bartlett, 1975. Courtesy Paula Cooper Gallery

    Artnews | Jennifer Bartlett, Titan of the New York Scene Who Forged a New Path for Painting, Dies at 81

    July 26, 2022
  • ‘Obstacle 1; Studio study III’ by Serge Alain Nitegeka

    Business Live | Aspire Art: Contemporary Notions of Masculinity

    July 13, 2022
  • The Granary by Jesse Pollock

    HypeArt | The Trail of Sculptures Installed Across London's Square Mile

    June 24, 2022
  • The Haas Brothers, Blue Reed, 2019 Glass beads, wire, wood, mixed fiber stuffing 27 1/2 x 18 x 22 inches 69.9 x 45.7 x 55.9 cm

    The Inside Press | At the Katonah Museum of Art this June/Summer, Excitement Builds Where...

    June 1, 2022
  • Painting as a Butterfly (Installation View) Marianne Boesky Gallery, New York, NY 2022 Photo Credit: Lance Brewer

    Artforum | Pier Paolo Calzolari

    June 1, 2022
  • HypeBae | Dior Opens New Monsieur Dior Restaurant in its Iconic Paris Store

    HypeBae | Dior Opens New Monsieur Dior Restaurant in its Iconic Paris Store

    May 17, 2022
  • Celeste Rapone Nightshade, 2022 (detail) Oil on canvas 68 x 84 inches

    Forbes | Celeste Rapone Crosses The River To The Jersey Side In A New Body Of Work

    May 11, 2022
  • Donald Moffett Lot 020412 (port), 2012 (detail) Oil and linen on wood panel supports, driftwood, concrete block, hardware 116 x 25 x 29 inches 294.6 x 63.5 x 73.7 cm

    Texas Monthly | “Nature Cult” Is a Thicket of Remarkable Art on Ecological Themes

    May 10, 2022
  • Gabriel Chaile, installation view at the 59th International Art Exhibition – La Biennale di Venezia, “The Milk of Dreams,” 2022. Photo by Roberto Marossi. Courtesy of La Biennale di Venezia.

    Artsy | Gabriel Chaile’s Colossal Clay Sculptures Are Alive with Ancestral History

    May 5, 2022
  • Pier Paolo Calzolari Untitled, 2020 (detail) Salt, pastels à I'écu, oil pastels, tempera grassa, canvas on wood 21 5/8 x 19 3/4 x 1 5/8 inches 55 x 50 x 4 cm

    Hyperallergic | Cosmos and Earth Collide in Pier Paolo Calzolari’s Alchemical Art

    April 19, 2022
  • “Gay New Orleans Bally Call, Brockton, Massachusetts” (June 1972), part of Susan Meiselas’s “Carnival Strippers” series on view through April 24 at Higher Pictures Generation, a gallery in Dumbo, Brooklyn. Photo: Susan Meiselas / Magnum Photos; Higher Pictures Generation

    The New York Times | 5 Things to Do This Weekend

    April 14, 2022
  • Photo by Amaury Baudoin.

    Design Milk | The Haas Brothers Create a Fantasy Group of Creatures for the Home

    April 12, 2022
  • Curator Jamillah James, left, in conversation with artist Mary Lovelace O'Neal, at Expo Chicago 2022. MAXIMILÍANO DURÓN/ARTNEWS

    ARTnews | At Expo Chicago, Artist Mary Lovelace O’Neal Delivers a Rousing Speech on Art: ‘This Is What I Did With 80 Years of My Life’

    April 8, 2022
  • Painting as a Butterfly (Installation View) Marianne Boesky Gallery, New York, NY 2022 Photo Credit: Lance Brewer

    La Voce di New York | After a Five-Year Absence, Pier Paolo Calzolari’s Works Will Be Shown in the US

    April 8, 2022
  • Whitewall | Sarah Meyohas: Shifting our perception of natural, economic, and social structures

    Whitewall | Sarah Meyohas: Shifting our perception of natural, economic, and social structures

    April 1, 2022
  • Painting as a Butterfly (Installation View) Marianne Boesky Gallery, New York, NY 2022 Photo Credit: Lance Brewer

    The Art Newspaper | New York is rich in Arte Povera

    April 1, 2022
  • Rashid Johnson, Stick and Move (2011) from the Cosmic Slop series Courtesy MGM Resorts International/MGM Resorts Art and Culture.

    The Art Newspaper | After $110m Picasso sale, Casino Company MGM Acquires On-Trend Contemporary Works to Diversify Collection

    March 30, 2022
  • Pier Paolo Calzolari Senza titolo / Untitled, 2019 (detail) Salt, pastels à I'écu, oil pastels, milk tempera, egg tempera, paper, push pins on wood 110 1/2 x 110 1/2 x 3 inches 280.7 x 280.7 x 7.6 cm

    Artnet News | 7 Questions for Pioneering Arte Povera Artist Pier Paolo Calzolari, Who Finds Poetry in the Natural

    March 24, 2022
  • Donald Moffett Lot 082007/20 (IOo, catabolic blue), 2007/2020 Oil, cotton, aluminum, rabbit skin size, poly vinyl acetate on linen 24 x 20 inches 61 x 50.8 cm

    Glasstire | Live Forever: Donald Moffett’s “Nature Cult (early freeze, late sleet)” at Lora Reynolds Gallery, Austin

    March 22, 2022
  • Pier Paolo Calzolari Monocromo blu, 1979 (detail) Egg tempera, waxy water tempera on cardboard glued on wooden board 90 1/2 x 413 1/2 x 1 1/2 inches 229.9 x 1050.3 x 3.8 cm

    Cultured | Seminal Artist Pier Paolo Calzolari Explores the Mystery of Metamorphosis

    March 17, 2022
  • Wavy Jones (detail), 2018, Sheepskin, cast bronze, ebony, 48 x 13 x 13 inches (121.9 x 33 x 33 cm),, Holleman Family Collection, Courtesy of the artists and Marianne Boesky Gallery, New York and Aspen ©The Haas Brothers. (The Haas Brothers)

    Patch | Constant Carnival: The Haas Brothers in Context Opens At KMA

    March 11, 2022
  • “Stevie Six” “Horn Too Largery Taylor Green,” “Stance Bass,” “Pebble Wilson” and “Laura Soft Tomb Raider” Artists and Marianne Boesky Gallery New York and Aspen / Courtesy

    Las Vegas Weekly | The Haas Brothers Unleash a Fantasy-steeped Menagerie in Downtown Las Vegas

    March 3, 2022
  • Gina Beavers Applying Lipstick on Heart Shape Lips, 2022 40 x 26 3/4 inches 101.6 x 67.9 cm

    Four Seasons | In Conversation with Gina Beavers

    March 1, 2022
  • Claudia Wieser, “Rehearsal,” 2021, Ceramic, digital prints, stainless steel. Presented by Public Art Fund at Brooklyn Bridge Park, July 29, 2021 — April 17, 2022. Courtesy Claudia Wieser; Marianne Boesky Gallery, New York and Aspen; and Jessica Silverman, San Francissco. Photo: Nicholas Knight, Courtesy of Public Art Fund, NY

    6sqft | An art lover's guide to NYC: Where to find galleries, creative space, and public art in Dumbo

    February 16, 2022
  • Cultured | Jammie Holmes Unveils the Rural Black South to the World

    Cultured | Jammie Holmes Unveils the Rural Black South to the World

    January 21, 2022
  • Adjei Tawiah SheBoss, 2021 Sponge and oil on canvas 79 x 60 1/2 inches 200.98 x 153.67 cm

    WWD | Larry Ossei-Mensah and Amoako Boafo Curate ‘Winner Takes All’ Exhibition at Marianne Boesky Gallery

    January 19, 2022
  • Allison Janae Hamilton Wacissa, 2019 (video still) Single-channel video projection Total runtime: 22:14 minutes Dimensions variable

    Artillery | The Activism of Allison Janae Hamilton: Land as Witness of History

    January 4, 2022
  • Mary Lovelace O'Neal at her studio in Oakland, California. Photo by Sukanya Rajaratnam

    artnet | ‘There Are Always More Questions’: Abstract Painter Mary Lovelace O’Neal on Creating Art That Refuses to Be Boxed In

    In a career that spans decades, O'Neal has drawn strength from a powerful creative community.
    December 21, 2021
  • Michaela Yearwood-Dan A conduit for joy, 2021 (detail) Oil, acrylic, ink, gold leaf and swarovski crystals on canvas Overall: 87 x 141 3/4 inches 221 x 360 cm Each Panel: 87 x 70 7/8 inches 221 x 180 cm

    Cultured | Beyond Their Lavish Aesthetic, Michaela Yearwood-Dan's Paintings Make You Feel

    December 8, 2021
  • Frank Stella watching as his sculpture, Jasper’s Split Star, is installed at 7 World Trade Center. Photo Credit: Vincent Tullo for The New York Times

    The New York Times | After 20 Years, Frank Stella Returns to Ground Zero

    November 22, 2021
  • Sanford Biggers Photo Credit: Justin Lubke

    ARTnews | Artists Tanya Aguiñiga and Sanford Biggers Win $250,000 Heinz Awards

    November 19, 2021
  • Hypebae | Look Inside Glossier’s New Store in Los Angeles

    Hypebae | Look Inside Glossier’s New Store in Los Angeles

    November 17, 2021
  • Intersections: Sanford Biggers (Installation View) The Phillips Collection, Washington D.C. 2021 Photo Credit: Lee Stalsworth

    The Washington Post | At the Phillips Collection, a visual ‘conversation’ between the art of Europe, Africa and Japan

    November 17, 2021
  • Jammie Holmes Illusions and Meanings, 2021 (detail) Wood, acrylic and oil pastel on canvas 112 x 72 1/8 x 3 1/2 inches 284.5 x 183.2 x 8.9 cm

    ARTnews | Jammie Holmes, Painter of Poignant Scenes of American South, Joins Marianne Boesky Gallery

    November 17, 2021
  • Jennifer Bartlett: Recitative (Installation View) Locks Gallery, Philadelphia, PA, October 8 – November 27, 2021

    Artillery | OUTSIDE LA: Jennifer Bartlett | Locks Gallery, Philadelphia, PA

    November 9, 2021
  • Portrait of Jammie Holmes in his Dallas studio. Photo Credit: Kathy Tran

    Art in America | In The Studio: Jammie Holmes on Painting His Hurt and His Hope

    November 1, 2021
  • Martyn Cross Flodan Blaed, 2022 Oil on unstretched canvas with eyelets 83 5/8 x 58 in 212.4 x 147.3 cm

    Juxtapoz | Earth Hymns: A Conversation with Martyn Cross

    October 27, 2021
  • Michaela Yearwood-Dan The only way is up, 2021 (detail) Oil, acrylic, ink and gold leaf on canvas 78 3/4 x 59 1/8 inches 200 x 150 cm

    shondaland | 7 Artists You Should Know Now

    October 25, 2021
  • Variety | Academy Museum Announces Limited Edition NFT With Haas Brothers

    Variety | Academy Museum Announces Limited Edition NFT With Haas Brothers

    October 20, 2021
  • The Women I Know Part II (Installation View) Marianne Boesky Gallery, New York, NY 2021 Photo Credit: Lance Brewer

    The Brooklyn Rail | Ghada Amer with Amanda Gluibizzi

    October 6, 2021
  • Artnet News | Damien Hirst’s NFT Project Is a Lot Like Mine...

    Artnet News | Damien Hirst’s NFT Project Is a Lot Like Mine...

    September 15, 2021
  • The painting “Goodbye Bill,” by Jennifer Bartlett, from 2001, is titled in honor of Bill Biggart, a photographer who died beneath the collapsed north tower on Sept. 11. Credit: Jennifer Bartlett Trust, Marianne Boesky Gallery and Paula Cooper Gallery; Yale University Art Gallery

    The New York Times | Why Art Struggled to Address the Horrors of 9/11

    September 9, 2021
  • Photo: Gina Beavers, Painting Model for NFT, 2023. Courtesy of the artist and Marianne Boesky Gallery.

    Flaunt | IN CONVERSATION WITH NATALIE WADLINGTON AND GINA BEAVERS

    September 7, 2021
  • Jennifer Bartlett, Leaking Systems, 2001, oil on five canvases, overall 104 × 88"

    Artforum | Jennifer Bartlett | Paula Cooper Gallery

    September 1, 2021
  • Allison Janae Hamilton Floridawater IV, 2019 Archival pigment print 24 x 36 inches 61 x 91.4 cm

    Burnaway | Misty Shores and Palm Forests: Southern Spirituality Through the Lens of Film and Art

    August 26, 2021
  • Allison Janae Hamilton Once Again Amid the Pine Trees, 2021 Archival pigment print Framed dimensions: 40 7/8 x 60 7/8 inches 103.8 x 154.6 cm

    Whitewall | Interrogating Myths Around Landscape and Stories of Paradise

    August 13, 2021
  • Feedback (Installation View) The School, Jack Shainman Gallery, Kinderhook, NY 2021

    The New York Times | Teaching a New Inclusiveness at The School

    August 12, 2021
  • Hans Op de Beeck The Boatman, 2020 Courtesy of Galleria Continua

    Artnet News | In Hans Op de Beeck’s New Show in Italy, Rich Narratives Unfold in Lifelike Sculptures

    July 31, 2021
  • Nicholas Knight, courtesy of Public Art Fund | Rehearsal by Claudia Wieser

    TimeOut | Claudia Wieser: Rehearsal

    July 29, 2021
  • Sanford Biggers Harlem Blue, 2013 Antique quilt, assorted textile, acrylic, spray paint 88 x 88 inches

    Cultured | Sanford Biggers Returns to California with a Homespun Medium

    July 29, 2021
  • Danielle Mckinney Dreamer, 2021 (detail) Acrylic on canvas 20 x 16 inches 50.8 x 40.6 cm Courtesy of the Artist and Night Gallery © Danielle Mckinney

    Culture Type | Danielle Mckinney’s Portraits are Self-Reflective

    June 2, 2021
  • The Brooklyn Rail | Jammie Holmes: Pieces of a Man

    The Brooklyn Rail | Jammie Holmes: Pieces of a Man

    June 1, 2021
  • Vice | Bitchcoin Is Here to Take Tech Investors' Money

    Vice | Bitchcoin Is Here to Take Tech Investors' Money

    May 28, 2021
  • Beast in Show (Installation View) SCAD Museum of Art, Savannah, GA 2021 Photo Credit: Aman Shakya

    Surface | The Haas Brothers Bring Their Otherworldly Creatures to SCAD

    May 24, 2021
  • Photo Credit: Gabby Jones for The Wall Street Journal

    The Wall Street Journal | Meet Wall Street’s Crypto Artist

    May 22, 2021
  • Jammie Holmes in his Dallas studio. Courtesy Library Street Collective Photo Credit: Daisy Avalos

    Surface | Jammie Holmes Will Always Look You in the Eye

    May 21, 2021
  • Sanford Biggers Seigaiha, 2021 Rockefeller Center, New York, NY 2021 Courtesy of Art Production Fund Photo Credit: Daniel Greer

    Artnet News | Artist Sanford Biggers Explains How Our Misunderstandings of Classical Sculpture Inspired His Rockefeller

    May 7, 2021
  • Oracle (Installation View) Rockefeller Center, New York, NY 2021 Courtesy of Art Production Fund Photo Credit: Daniel Greer

    The Art Newspaper | Sanford Biggers unveils monolithic sculpture at Rockefeller Plaza

    May 5, 2021
  • Danielle McKinney Let’s Be Real, 2021 (detail) Courtesy the Artist and Fortnight Institute, New York Photo Credit: Jason Mandella

    Mousse Magazine | Taming the Bird: Danielle Mckinney

    May 1, 2021
  • Danielle Mckinney Prophetic, 2021 (detail) Acrylic on Canvas 16 x 20 inches Courtesy of the Artist and Fortnight Institute, NY

    Art of Choice | Experience the Poetic Solitude in Danielle Mckinney's Body of Work

    April 29, 2021
  • Suzanne McClelland, Well Hung, 2004. Courtesy: the artist and Marianne Boesky Gallery, New York and Aspen

    Frieze | How Artists Are Re-Imagining Basketball

    April 28, 2021
  • Danielle Mckinney Whisper, 2021 (detail) Courtesy of the Artist and Fortnight Institute, NY Photo Credit: Jason Mandella

    Juxtapoz | Saw My Shadow: New Works by Danielle Mckinney

    April 12, 2021
  • Danielle McKinney Bye Felicia, 2020 (detail) Courtesy of the Artist and Night Gallery

    Elephant Magazine | Danielle Mckinney

    April 12, 2021
  • Allison Janae Hamilton Whitetail Creature, 2021 Foam, sola wood, bracken fern, resin, paint 21 1/2 x 29 x 26 inches 54.6 x 73.7 x 66 cm

    The Brooklyn Rail | Allison Janae Hamilton with Yasi Alipour

    April 7, 2021
  • Ghada Amer Portrait of Kamilah, 2020 Acrylic, embroidery and gel medium on canvas 48 x 48 inches 122 x 122 cm

    The National | How Egyptian artist Ghada Amer has weaved an expression of feminism into her paintings

    March 31, 2021
  • Work in O’Brien’s studio. Courtesy of the Artist, Marianne Boesky Gallery, New York, and Taka Ishii Gallery, Japan

    School of the Art Institute of Chicago Magazine | The Process

    March 17, 2021
  • Sanford Biggers God Whistle, 2020 (detail) White Marble 79 x 32 7/8 x 33 inches 200.7 x 83.5 x 83.8 cm

    The Brooklyn Rail | Sanford Biggers with Yasi Alipour

    March 10, 2021
  • Serge Alain Nitegeka Identity Is Fragile I, 2020 (detail) Charcoal and paint on wood

    ArtThrob | Movable Archives: Serge Alain Nitegeka's 'Lost and Found'

    February 23, 2021
  • John Waters Reconstructed Lassie, 2012 (detail) C-print Image: 30 x 20 inches 76.2 x 50.8 cm

    Los Angeles Times | Bieber, pimples, Lassie with a facelift: John Waters on his L.A. art exhibition

    February 16, 2021
  • Jay Heikes Second Wave, 2020 Oil on stained canvas 77 x 114 inches 195.6 x 289.6 cm

    Surface | Jay Heikes: Echo in Color

    February 16, 2021
  • Daniel Palmer.

    ArtNews | As Indoor Spaces Face Restrictions, Public Art Plays a Vital Role in Pandemic-Era New York

    February 12, 2021
  • Grave Robbers 4, circa 1998, mixed media on canvas, 84 × 60 inches. Images courtesy of the artist and Mnuchin Gallery, New York.

    BOMB Magazine | Mary Lovelace O’Neal by Suzanne Jackson

    The painters, who met in 1973, reflect on their experiences with student protests, the Black Panthers, and the pressure to be a “bigger guy” than their male counterparts.
    February 9, 2021
  • Bitchcoin’s logo. Courtesy of the Artist

    Artnet News | Cryptocurrencies, Explained: Why Artists Are Already Leaving Bitcoin Behind for Something Bigger

    February 6, 2021
  • Suzanne McClelland, Mute M, 2019 Dry pigment, archival glitter, polymer on canvas 40 x 30 in 101.6 x 76.2 cm

    The Aspen Times | New Ralph Steadman and more in Aspen galleries

    February 5, 2021
  • Frank Stella Fat 12 Point Carbon Fiber Star, 2016 Carbon fiber 21 x 21 x 17 feet 640.1 x 640.1 x 518.2 cm Photo Credit: Jason Mandella

    The New York Times | In Frank Stella's Constellation of Stars, a Perpetual Evolution

    February 4, 2021
  • Maud Madsen, All That Meat and No Potatoes, 2020 Acrylic on linen. Photo: Peter Kaiser © Maud Madsen. Courtesy of the artist and Marianne Boesky Gallery

    Provokr | In Situ – New Paintings: Inspired Art in Quarantine at Marianne Boesky Gallery

    January 29, 2021
  • Eleanor Swordy, Hard Rain, 2020. Oil on canvas 60 x 60 in 152.4 x 152.4 cm

    Juxtapoz | In Situ @ Marianne Boesky Gallery, NYC

    January 14, 2021
  • Sanford Biggers Giuoco Piano, 2019 Ceramic, wood 25 1/4 x 25 1/4 x 17 inches 64.1 x 64.1 x 43.2 cm

    Whitewall | Sanford Biggers: Shapeshifting, codeswitching, and vacillating between medium and meaning.

    January 14, 2021
  • Celeste Rapone, Oasis, 2020. Oil on canvas 70 x 70 in 177.8 x 177.8 cm

    Hypebeast | Artists Capture Moments of Stillness Amid COVID-19 in Group Exhibition

    January 12, 2021
  • Sanford Biggers Ecclesiastes 1 (KJV), 2020 Antique quilt, assorted textiles, wood 68 x 77 x 3 1/4 inches 172.7 x 195.6 x 8.3 cm

    Art & Object | History Remixed: An Interview with Sanford Biggers

    January 12, 2021
  • Allison Janae Hamilton Waters of a Lower Register, 2020 (video still) Five-channel video Total runtime: 13:42 Dimensions variable

    The New York Times | In Brooklyn Bridge Park, Artwork Confronts Climate Change

    December 6, 2020
  • Sanford Biggers Kubrick's Rube, 2020 Antique quilt, birch plywood, gold leaf 52 x 34 x 34 inches 132.1 × 86.4 × 86.4 cm

    Frieze | Travel Through Time and Space with Sanford Biggers

    December 3, 2020
  • Michaela Yearwood-Dan Photo Credit: Joshua Monaghan

    House & Garden | Artist Michaela Yearwood-Dan in her studio

    November 18, 2020
  • Call with Information (Installation View) Team Gallery, New York, NY 2015

    Suzanne McClelland: 36 x 24 x 36 | When is Art Political? Suzanne McClelland's Call with Information
  • Michaela Yearwood-Dan Feather (A Salute to You Mr Magpie), 2020 (detail) Created for Bazaar Art

    Harper's Bazaar | Chiaroscuro Connection

    October 27, 2020
  • To Be Determined (Installation View) Dallas Museum of Art, Dallas, TX 2020 Courtesy Dallas Museum of Art Photo Credit: John Smith

    Culture Type | Jammie Holmes Pours His Emotions Into His Paintings: ‘When People Look at My Work I Want Them to Feel Som

    October 20, 2020
  • Gina Beavers Addiction Lips, 2020 (detail) Acrylic on linen on panel 24 x 36 x 3 inches 61 x 91.4 x 7.6 cm

    Garage | Gina Beavers Explores the Complexities of an Online Self

    October 9, 2020
  • Gina Beavers Smoky Eye Every Step, 2020 (detail) Acrylic and foam on linen on panel 96 x 72 x 6 inches 243.8 x 182.9 x 15.2 cm

    The New York Times | A Gallery Resurgence in Chelsea

    October 8, 2020
  • Brooklyn Rail | Gina Beavers with EJ Hauser

    Brooklyn Rail | Gina Beavers with EJ Hauser

    October 1, 2020
  • Gina Beavers Painting Mondrian and Picasso Underwear on my lips, 2020 Acrylic on linen on panel 48 x 48 x 3 1/2 inches 121.9 x 121.9 x 8.9 cm

    Women's Wear Daily | Finding Meme-ing in Gina Beavers' Solo Exhibition "World War Me"

    September 17, 2020
  • Jammie Holmes Sunny Days, 2020 (detail) Acrylic and oil pastels on canvas 54 x 65 3/4 inches 137.2 x 167 cm

    WWD | Jammie Holmes Is Listening Closely

    August 19, 2020
  • Photo by Gioncarlo Valentine for The New York Times

    The New York Times | Cracking Codes With Sanford Biggers

    August 14, 2020
  • Celeste Rapone Swan, 2019 Oil on canvas 54 x 54 inches 137.2 x 137.2 cm

    Femme Art Review | The Figure Does Not Win Every Time: In Discussion with Celeste Rapone

    July 31, 2020
  • SVENJA DEININGER, Untitled, 2020.

    Independent Collectors | Two thoughts with Svenja Deininger

    July 22, 2020
  • Jammie Holmes A Self Portrait of an Artist on a Narrow Street, 2019 (detail) Acrylic and oil pastels on canvas 48 x 36 x 1 inches 121.9 x 91.4 x 2.5 cm

    Architectural Digest | Young Black Artists Speak About the Role of Art in This Moment

    June 16, 2020
  • Jammie Holmes They’re Going to Kill Me (New York City), 2020 Courtesy of the Artist and Library Street Collective

    The New York Times Style Magazine | George Floyd’s Final Words, Written in the Sky

    June 1, 2020
  • Gina Beavers Corn Nails, 2019 (detail) Acrylic on linen on panel 30 x 26 inches 76.2 x 66 cm

    Spike Art Magazine | Portrait: Gina Beavers

    June 1, 2020
  • The artist Mary Lovelace O’Neal in her studio in Oakland, Calif. Credit...Aubrey Trinnaman for The New York Times

    New York Times | A Painter and Social Activist With an ‘Unruly Nature’

    Mary Lovelace O’Neal returns to New York at 78 with a solo show and an undimmed aversion to being pigeonholed.
    May 1, 2020
  • Mary Lovelace O’Neal, Running with My Black Panthers and White Doves a.k.a. Running with My Daemons, ca. 1989–90, mixed media on canvas, 6' 9" × 11' 6". From the series “Panthers in My Father’s Palace,” 1984–90.

    Artforum | Mary Lovelace O’Neal

    May 1, 2020
  • Tussle Magazine | Mary Lovelace O’Neal at Mnuchin Gallery

    Tussle Magazine | Mary Lovelace O’Neal at Mnuchin Gallery

    April 28, 2020
  • Black Migrant (Installation View) Marianne Boesky Gallery, New York, NY 2020 Photo Credit: Object Studies

    The New York Times | An Artist's New Migration Song

    April 26, 2020
  • Hannah van Bart, "Young Woman," 2020. Oil on linen.

    Forbes | 5 New York Galleries Showcase Women Artists in Online Exhibitions

    April 9, 2020
  • Frank Stella Hercules and Achelous, 2017 Aluminum 135 x 127 1/2 x 85 inches 342.9 x 323.9 x 215.9 cm

    The New York Times Style Magazine | The Constellation of Frank Stella

    March 18, 2020
  • Claudia Wieser, Untitled, 2017, acrylic, ink, and gold leaf on wood, 23 5/8 x 4 ¾ x 4 ¾ inches each. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen.

    The Reader | 'Generations'

    March 15, 2020
  • MUTE (Installation View) Team Gallery, New York, NY 2019 Photo Credit: JSP Art Photography

    Artforum | Suzanne McClelland

    February 1, 2020
  • MUTE (Installation View) Team Gallery, New York, NY 2019 Photo Credit: JSP Art Photography

    Art in America | Suzanne McClelland's "Mute" Paintings Demonstrate a Provocative Silence in an Era of Noise

    January 13, 2020
  • Elephant Magazine | 5 Questions: Dive Deeper Into Michaela Yearwood-Dan’s Sexy, Super-Romantic Paintings

    Elephant Magazine | 5 Questions: Dive Deeper Into Michaela Yearwood-Dan’s Sexy, Super-Romantic Paintings

    January 6, 2020
  • Michaela Yearwood-Dan Join me until the Bitter Finale, 2019 (detail) Acrylic, charcoal and oil on canvas 47 1/4 x 66 7/8 inches

    Artforum | Critic's Picks London: Michaela Yearwood-Dan

    December 31, 2019
  • Mary Lovelace Running with Black Panthers and White Doves (mid-1980s/early 1990s) Artwork © Mary Lovelace O’Neal Courtesy Mnuchin Gallery, New York

    artnet | At 77, the Abstract Painter Mary Lovelace O’Neal Will Be the Latest Artist to Get the Rediscovery Treatment at Mnuchin Gallery

    The artist hasn't had a major New York solo show in 25 years.
    December 3, 2019
  • Donald Moffett Lot 072519 (late biology, blossom), 2019 Pigmented epoxy resin on wood panel support, steel 50 1/2 x 55 1/2 x 6 1/2 inches 128.3 x 141 x 16.5 cm

    The Brooklyn Rail | Donald Moffett with Dan Cameron

    November 1, 2019
  • Ghada Amer Smoking Girl in Color, 2014 Ceramic 23 3/8 x 30 x 6 inches 59.4 x 76.2 x 15.2 cm

    Independent | In the Studio with Ghada Amer

    November 1, 2019
  • Donald Moffett Lot 072419 (the new pippin), 2019 Urethane paint and UV clear coat on wood and urethane panel support, steel 29 1/2 x 29 1/2 x 7 1/2 inches 74.9 x 74.9 x 19.1 cm

    The New York Times | Seething or Subtle, Donald Moffett's Art Is Always Political

    October 27, 2019
  • Ghada Amer Portrait with One Earring, 2016 Acrylic, embroidery and gel medium on canvas 42 x 42 inches 106.7 x 106.7 cm

    Phaidon | Ghada Amer - 'Being a woman artist makes me sell for less money and closes doors for solo museum shows'

    October 15, 2019
  • Artspace | Q&A: The Haas Brothers on their Limited Edition Bookstands for Rihanna's Stunning New Book

    Artspace | Q&A: The Haas Brothers on their Limited Edition Bookstands for Rihanna's Stunning New Book

    October 7, 2019
  • Madonna (Installation View) Marianne Boesky Gallery, New York, NY 2019 Photo Credit: Object Studies

    Artspace | Q&A: The Haas Brothers on Saying 'Goodbye' to Toxic Masculinity in their Show at Marianne Boesky Gallery

    September 12, 2019
  • Michaela Yearwood-Dan LOVE 22 Photo Credit: SØLVE SUNDSBØ

    Love Magazine | Meet the residents of Alexander McQueen’s Foundation: Michaela Yearwood-Dan

    August 28, 2019
  • Allison Janae Hamilton Floridawater I, 2019 Archival Pigment print 24 x 36 inches 61 x 91.4 cm

    BOMB Magazine | At the River's Edge: Allison Janae Hamilton

    August 27, 2019
  • Pier Paolo Calzolari Untitled (Blu oltremare), 1972 Installation performance, tempera grassa on canvas, refrigeration unit, copper, glass, egg, audio recorder, refrigerator motor, lead Painting: 78 3/4 x 86 2/3 x 1 3/4 inches 200 x 220 x 4.5 cm Bench: 75 3/4 x 9 1/2 inches 192.5 x 24 cm

    Dream Idea Machine Art View | Art-Presentation: Pier Paolo Calzolari-Painting as a Butterfly,Part II

    August 22, 2019
  • Hans Op de Beeck (Installation View) Marianne Boesky Gallery, New York, NY 2019 Photo Credit: Object Studies

    Sculpture Magazine | Hans Op de Beeck

    August 20, 2019
  • Maria Lai Loom (Detail), 1967 Acrylic, wood, mirrors and string on canvas 28 3/8 x 16 5/8 x 4 inches 72 x 42 x 10 cm

    The Financial Times | Maria Lai: Stories Woven from the Threads of a Life

    August 20, 2019
  • Frank Stella Atalanta and Hippomenes, 2017 Painted metal, PU-Foam, fiberglass 136 x 168 x 96 inches 345.4 x 426.7 x 243.8 cm

    The Hudson Review | At The Galleries

    August 20, 2019
  • Gina Beavers Painter's Lips, 2019 Acrylic and foam on linen and panel 72 x 72 inches 182.9 x 182.9 cm

    MoMA Magazine | Studio Visit: Gina Beavers

    July 18, 2019
  • William J. O'Brien Untitled, 2018 Colored pencil on paper 60 x 65 inches 152.4 x 165.1 cm

    Luxe Magazine | Meet a Chicago Creative who Creates & Deconstructs Art

    July 12, 2019
  • Chimeras (Installation View) Baldwin Gallery, Aspen, CO 2019 Photo Credit: Tony Prikryl

    The Aspen Times | The Summer of Sanford: Artist Sanford Biggers at Anderson Ranch, Baldwin Gallery, and Boesky West

    July 10, 2019
  • Courtesy of Jammie Holmes

    D Magazine | Meet Up-and-Coming Dallas Painter Jammie Holmes

    July 8, 2019
  • Gina Beavers The Life I Deserve, 2016 (detail) Acrylic on canvas on panel 16 x 12 inches 40.6 x 30.5 cm

    The Brooklyn Rail | Gina Beavers: The Life I Deserve

    July 1, 2019
  • Allison Janae Hamilton Blackwater Creature II, 2019 Mixed media 13 x 24 x 90 inches 33 x 61 x 228.6 cm

    Hyperallergic | The Southern Gothic Moods of Allison Janae Hamilton

    June 15, 2019
  • Frank Stella Jasper's Split Star, 2017 Aluminum 202 x 257 x 249 inches 513.1 x 652.8 x 632.5 cm

    Artsy | Frank Stella Doesn't Believe in Artistic Reinvention

    June 11, 2019
  • Pier Paolo Calzolari Mangiafuoco-Fire-eater, 1979 Oil tempera on plate, asbestos, fire-eater 90 1/2 x 317 inches 230 x 805 cm

    La Repubblica, Naples | Pier Paolo Calzolari shows at the Museo Madre

    June 7, 2019
  • Rhapsody (Installation View) Digital Image © 2019 The Museum of Modern Art, New York. Photographed by John Wronn

    The New York Times | Last Call: MoMA’s Closing, and Changing

    June 6, 2019
  • Ghada Amer Thought #6 with a Blue Base and Clown, 2017 (detail) Glazed ceramic 10 1/2 x 2 2/3 x 2 2/3 inches 26.7 x 6.7 x 6.7 cm

    Harpers Bazaar Arabia | Beyond Painted Plates

    June 1, 2019
  • Maria Lai Potere Dire (Could say), 2004 Fabric and thread 8 1/2 x 5 1/8 x 1 1/8 inches 21.6 x 13 x 2.9 cm

    Apollo Magazine | On the Trail of Maria Lai in Sardinia

    May 29, 2019
  • Hans Op de Beeck Staging Silence (3), 2019 (video still) Full HD video, black and white, sound Total Runtime: 45 minutes

    Hyperallergic | Hans Op de Beeck Stages Silence

    May 17, 2019
  • Frank Stella Leeuwarden II, 2017 (detail) Painted metal 69 x 116 x 42 inches 175.3 x 294.6 x 106.7 cm

    Architectural Digest | Frank Stella Debuts Latest Work at Boesky Gallery in Chelsea

    May 2, 2019
  • Frank Stella Atalanta and Hippomenes Mirrored Relief Model, 2017 Elasto plastic RPT, paint, acrylic and steel 32 x 44 x 6 1/4 inches 81.3 x 111.8 x 15.9 cm

    Monocle | Star Turn

    May 1, 2019
  • Gina Beavers Courtesy Foxy Production, New York Photo Credit: Charles Benton.

    Interview Magazine | Artist Gina Beavers on Her Justin Timberlake Paintings

    April 18, 2019
  • Sanford Biggers Moonrising, 2014 (still) Single channel video Total runtime: 7:35 minutes Dimensions Variable

    Artnet News | ‘It Allows Them All to Freak Out’

    April 5, 2019
  • The Haas Brothers Wavy Jones, 2018 Sheepskin with cast bronze and ebony 48 x 13 x 13 inches 157.5 x 33 x 33 cm

    American Way | Family Affair

    April 1, 2019
  • C Magazine | Why The Haas Brothers are the Boy Wonders of the Design World

    C Magazine | Why The Haas Brothers are the Boy Wonders of the Design World

    April 1, 2019
  • Gina Beavers Smoky Eye Tutorial, 2014 Acrylic and wood on canvas on panel with wood frame 31 x 31 inches 78.7 x 78.7 cm

    Artnet News | Visiting the Studio of Gina Beavers, the Painter of Modern (Instagram) Life

    March 29, 2019
  • Gina Beavers Dice Nail Love, 2014 Acrylic on canvas panel with wood frame

    Widewalls | The Art of Nancy Spero and Gina Beavers Concurrently Under MoMA's Roof

    March 22, 2019
  • Gina Beavers Cake, 2015 Acrylic on canvas panel

    Garage | From Stripper Cakes To Gym Selfies, Gina Beavers Paints the Life We Deserve

    March 20, 2019
  • Celeste Rapone Girl Friday, 2018 Oil on canvas 62 x 56 inches 157.5 x 142.2 cm

    Art Verge | Playful Interplay of Volumes and Colours Command Celeste Rapone’s Paintings

    March 8, 2019
  • IMPEACH (Installation View) Marianne Boesky Gallery, New York, NY 2006

    Richmond Magazine | A Thunderous Appeal

    February 26, 2019
  • Shift (Installation View) Bloomberg Space, London, UK 2019 Photo Credit: Henry Coleman

    Dezeen | Claudia Wieser's Shift Installation for Bloomberg Space Reference Roman Antiquity

    February 12, 2019
  • Serge Alain Nitegeka Colour & Form XLIV, 2017 Paint on wood 88 x 82 inches 223.5 x 208.3 cm

    House and Leisure | Beyond a Single Story

    January 14, 2019
  • Holding Environment (Installation View) Marianne Boesky Gallery, New York, NY 2018 Photo Credit: Object Studies

    The Brooklyn Rail | John Houck: Holding Environment

    December 11, 2018
  • Nikolai and Simon Haas, collectively known as the Haas Brothers. Photo by Joe Kramm, courtesy of R & Company.

    Artnet News | The Haas Brothers on Their Breakthrough Miami Moment and Tips for Rising Above the Art and Design Divide

    December 7, 2018
  • John Waters Self-portrait #5 (Dog Catcher), 2012 C-print Image: 36 x 36 inches 91.4 x 91.4 cm

    The Washington Post | We Took John Waters to a John Waters Art Exhibit in Baltimore

    November 26, 2018
  • Jennifer Bartlett. Courtesy the artist, Paula Cooper Gallery, and Marianne Boesky Gallery; Photo: ©2018 Taakaki Matsumoto/courtesy Jennifer Bartlett Trust

    Artnews | Jennifer Bartlett Is Now Represented by Marianne Boesky and Paula Cooper Galleries

    November 20, 2018
  • An untitled 2018 painting by Svenja Deininger in her show “Crescendo.” Svenja Deininger and Marianne Boesky Gallery, New York and Aspen

    The New York Times | What To See in New York Galleries This Week

    November 14, 2018
  • Allison Janae Hamilton The Hours. , 2015 Archival pigment print 40 x 60 inches 101.6 x 152.4 cm

    The New York Times | Allison Janae Hamilton's Spirit Sources

    October 26, 2018
  • John Waters Beverly Hills John, 2012 (detail) C-print Image: 30 x 20 inches 76.2 x 50.8 cm

    The Guardian | John Waters: 'I Never Wanted to be a Cult Film-maker'

    October 8, 2018
  • John Waters Study Art Sign (For Breeding or Bounty), 2007 Acrylic urethane on wood and aluminum, series of six, each with unique wording 56 x 42 x 4 1/2 inches 142.2 x 106.7 x 11.4 cm

    The Baltimore Sun | Baltimore Museum of Art Opens its John Waters Exhibit Sunday - And It's As Weird As You'd Expect

    October 5, 2018
  • John Waters Campaign Button, 2004 Latex paint, steel, plywood, and epoxy on Masonite 60 x 60 inches

    Artforum | Garbage Man

    October 1, 2018
  • Sanford Biggers BAM (for Terence), 2016 (detail) Unique within a series Bronze with black patina Accompanied by an HD Video Total Runtime: 00:35 Minutes 14 1/2 x 4 1/2 x 4 1/2 inches 36.8 x 11.4 x 11.4 cm

    The St. Louis American | Sanford Biggers Exhibition Features Power Figures Made in Memory of Victims of Police Violence

    September 4, 2018
  • Ghada Amer My Nympheas #2, 2018 (detail) Embroidery and gel medium on canvas 64 x 72 inches 162.6 x 182.9 cm

    Art in America | Ghada Amer

    September 1, 2018
  • Sue de Beer Untitled (Still from The White Wolf) , 2018 C-print on aluminum 30 x 20 inches 76.2 x 50.8 cm

    The New Yorker | Review: Sue de Beer

    July 30, 2018
  • Frank Stella Hooloomooloo segment, 1992 (detail) Mixed medium on canvas 137 x 60 x 2 1/2 inches 348 x 152.4 x 6.4 cm

    The Wall Street Journal | 'Frank Stella Unbound' Review: Leaving His Mark on Literature

    June 25, 2018
  • Stonely Planet (Installation View) Marianne Boesky Gallery, Aspen, CO 2018 Photo Credit: Tony Prikryl

    Juxtapoz | Oscar the Couch and Si-Horny Weaver: The Haas Brothers New and Iconic Works @ Marianne Boesky, Aspen

    June 6, 2018
  • Barnaby Furnas The Rally , 2017-2018 Dispersed pigments, acrylic, colored pencil, pencil on linen 73 1/8 x 64 1/2 inches 185.7 x 163.8 cm

    Artforum | Barnaby Furnas at Marianne Boesky Gallery

    June 1, 2018
  • Ghada Amer Girl with Garden Carnation, 2017 (detail) Acrylic, embroidery and gel medium on canvas 72 x 64 inches 182.9 x 162.6 cm

    Hyperallergic | How Ghada Amer Uses Seduction to Expose Sexism

    May 10, 2018
  • Personal Effects in BLACK (Installation View) Marianne Boesky Gallery, New York, NY 2018 Photo Credit: Object Studies

    ArtReview | Serge Alain Nitegeka: Personal Effects in Black

    May 1, 2018
  • Barnaby Furnas The Wrangler, 2018 (detail) Dispersed pigments, acrylic, colored pencil, pencil on linen 64 1/2 x 73 inches 164.5 x 189.9 cm

    Hyperallergic | How Robots Can Help Painters

    April 11, 2018
  • Claudia Wieser Untitled, 2017 Mirror-polished stainless steel and ceramic on MDF 60 3/4 x 60 1/2 x 60 1/2 inches 154.3 x 153.7 x 153.7 cm

    Artforum | Claudia Wieser at Marianne Boesky Gallery

    March 23, 2018
  • Barnaby Furnas Mt. Rushmore No. 2, 2018 Dispersed pigments, acrylic, colored pencil, pencil on linen 53 x 68 inches 134.6 x 172.7 cm

    Forbes | Barnaby Furnas' Historical Paintings for Tumultuous Times

    March 16, 2018
  • Claudia Wieser Untitled, 2017 Gold leaf on wood, ceramic, and mirror-polished stainless steel on MDF 7 1/8 x 48 1/2 x 18 1/8 inches 18.1 x 123.2 x 46 cm Plinth: 7 7/8 x 17 3/4 x 48 1/2 inches 20 x 45 x 123 cm Three sculptures, tallest: 18 inches 45.7 cm

    Studio International | 'I know there is the danger of beauty in my work, or a danger that it becomes purely decorative'

    March 9, 2018
  • Chapter (Installation View) Marianne Boesky Gallery, New York, NY 2018 Photo Credit: Object Studies

    Blouin Artinfo | Restrained, Robust & Refined: Claudia Wieser at Marianne Boesky Gallery, New York

    March 7, 2018
  • Frontier Ballads (Installation View) Marianne Boesky Gallery, New York, NY 2018 Photo Credit: Object Studies

    Art Observed | Barnaby Furnas: 'Frontier Ballads' at Marianne Boesky

    March 1, 2018
  • Jay Heikes Minor Planets, 2017 Group of six orbs: Steel slag, glue, gladstone orb, cast bronze, lignum vitae, cast bismuth, aluminum, copper Dimensions variable

    East Bay Express | Review: Jay Heikes' Exhibition at BAMPFA Addresses Themes of Alienness and Borders

    February 19, 2018
  • Sanford Biggers Votive, 2018 Mixed media Dimensions Variable

    Garage | Dubbed "Under-Sung" by the New Yorker, Sanford Biggers Is on a Roll

    February 1, 2018
  • Gina Beavers Big baseball with zip, 2017 Acrylic and paper on canvas on panel 30 x 30 x 9 7/8 inches

    Artforum | Review: Gina Beavers

    February 1, 2018
  • Sanford Biggers Untitled, 2014 C-Print Framed Dimensions: 23 3/4 x 29 1/2 inches 60.3 x 74.9 cm

    The New Yorker | The Playful, Political Art of Sanford Biggers

    January 18, 2018
  • Personal Effects in BLACK (Installation View) Marianne Boesky Gallery, New York, NY 2018 Photo Credit: Object Studies

    Art Observed | Serge Alain Nitegeka: 'Personal Effects in Black' at Marianne Boesky Gallery

    January 16, 2018
  • Serge Alain Nitegeka Colour & Form XXXVII, 2017 Paint on wood 43 1/4 x 74 5/8 inches 110 x 190 cm

    The Observer | Serge Alain Nitegeka’s New Paintings and Sculptures Reflect on His Time as a Refugee

    January 11, 2018
  • Flaunt | Sarah Meyohas

    Flaunt | Sarah Meyohas

    January 1, 2018
  • Frank Stella Hiraqla Variation II, 1968 (detail) Magna on canvas 120 x 240 x 4 inches 304.8 x 609.6 x 10.2 cm

    The Art Newspaper | Huge Frank Stella Show Highlights Artist's Sense of 'Free Play'

    December 9, 2017
  • Jessica Jackson Hutchins Winged Victory, 2017 Glass, steel armature, ceramic base 56 x 24 x 17 inches 142.2 x 61 x 43.2 cm

    Frieze | In Profile: Jessica Jackson Hutchins

    December 1, 2017
  • Maria Lai Fairies' Honey, 1991 Fabric and thread Closed: 7 x 5 1/2 x 1 inches 18 x 14 x 2.5 cm Open: 7 x 11 x 1 inches 17.8 x 27.9 x 2.5 cm

    The Financial Times | Maria Lai

    November 24, 2017
  • Frank Stella Black study I, 1968 (detail) Collage, black printing and drawing 20 x 39 1/2 inches 50.8 x 100.3 cm

    The Huffington Post | Frank Stella: " I don't see that the quality of art has expanded dramatically."

    November 6, 2017
  • Sanford Biggers Overstood, 2017 Sequins, canvas, fabric, tar, glitter, polystyrene, Aquaresin 146 x 96 x 50 inches 370.8 x 243.8 x 127 cm

    Hyperallergic | Sanford Biggers Summons the Power of Deep Music

    October 19, 2017
  • The Haas Brothers Reflectoral College, 2018 Cast bronze and peach glass 14 x 13 x 2 3/4 inches 35.6 x 33 x 7 cm

    Garage | The Haas Brothers: A Design for Life

    October 13, 2017
  • Selah (Installation View) Marianne Boesky Gallery, New York, NY 2017 Photo Credit: Object Studies

    The Brooklyn Rail | Sanford Biggers: Selah

    October 5, 2017
  • Sanford Biggers BAM (Seated Warrior), 2017 (detail) Polished bronze 78 x 10 x 10 inches 198.1 x 25.4 x 25.4 cm

    Artforum | Critics' Picks: Sanford Biggers

    September 15, 2017
  • Sanford Biggers 100 Years Too Soon, 2017 Antique Japanese textiles, fabric, antique quilt fragment, tar, charcoal, acrylic 41 1/2 x 39 1/2 inches 105.4 x 100.3 cm

    Architectural Digest | Sanford Biggers Makes Art Out of Antique Quilts

    August 31, 2017
  • Just Left Feel Right (Installation View) The Aldrich Contemporary Art Museum, Ridgefield, CT 2017 Photo Credit: Tom Powel

    Artforum | Suzanne McClelland

    August 24, 2017
  • Sue de Beer Still from Black Sun, Julia Hartmann (skull face), 2004-2005 (detail) C-print mounted on aluminum 40 x 30 inches

    The Creative Independent | Sue de Beer on Discovering New Ways to Get Art Made

    August 4, 2017
  • Suzanne McClelland, reg park and the hard gainers (ideal proportions), 2014

    The New York Times | What To See In New York Art Galleries This Week

    July 27, 2017
  • Anthony Pearson Untitled (Embedment), 2018 Canvas-embedded, pigmented hydrocal in enamel-finished aluminum frame 60 3/4 x 30 1/2 x 2 inches 154.3 x 77.5 x 5.1 cm

    Forbes | Artist Anthony Pearson Creates An Art Sanctuary

    July 15, 2017
  • And I Say (Installation View) Marianne Boesky Gallery, New York, NY 2017 Photo Credit: Object Studies

    Flash Art | Like a Hologram

    July 11, 2017
  • Maria Lai Geography, 2009 Velvet and twine on wood 55 1/8 x 28 3/4 x 2 1/2 inches 140 x 73 x 6.5 cm

    Artnet News | These Artists Made It Into Two of the Year’s Three Biggest Exhibitions

    June 27, 2017
  • Dashiell Manley e.f.w. (s.k.m.a.) 7/17, 2017 (detail) Oil on canvas 39 x 32 inches 99.1 x 81.3 cm

    Artspace | Elegy For A Young American Artist: Dashiell Manley

    June 23, 2017
  • Jay Heikes Death Spiral, 2017 Copper, wax, aluminum foil, steel, steel slag 216 x 168 x 120 inches 548.6 x 426.7 x 304.8 cm

    Studio International | Jay Heikes: "I've always loved the reminder that the natural world has the upper hand"

    June 16, 2017
  • Thiago Rocha Pitta seascape with cyanobacteria, 2017 (detail) Fresco 28 x 35 7/8 inches 71 x 91 cm

    Artforum | Review: Thiago Rocha Pitta at Marianne Boesky Gallery

    June 1, 2017
  • Maria Lai Woman that sifts flour (Detail), 1962 Pencil on paper 19 3/4 x 13 inches 50 x 33 cm

    Flash Art | Would That I Might Reach Myself Before All Others

    May 1, 2017
  • Thiago Rocha Pitta Before the Dawn, 2017 12 C-prints Twelve framed works Each: 17 5/8 x 25 3/8 inches 44.8 x 64.5 cm Installed: 56 7/8 x 107 1/2 inches 144.5 x 273.1 cm

    Artspeak | Thiago Rocha Pitta

    April 25, 2017
  • The First Green (Installation View) Marianne Boesky Gallery, New York, NY 2017 Photo Credit: Jason Wyche

    Hyperallergic | Depicting Nature's Rebellion Against Humanity

    April 17, 2017
  • The First Green (Installation View) Marianne Boesky Gallery, New York, NY 2017 Photo Credit: Jason Wyche

    Discover Magazine | "The First Green": Ancient Life Inspires Modern Art

    April 15, 2017
  • Svenja Deininger Untitled, 2014 (detail) Oil on canvas 19 3/4 x 15 3/4 inches 50 x 40 cm

    Palm Beach Arts Paper | Svenja Deininger's Elusive Art, at the Norton

    April 4, 2017
  • William J. O'Brien Untitled, 2016 Felt on felt 72 x 72 inches 182.9 x 182.9 cm

    Burnaway | Art Review: William O'Brien at KMAC in Louisville

    March 20, 2017
  • Pier Paolo Calzolari Untitled #17, 2016 Milk tempera, broom, on canvas 47 1/4 x 47 1/4 x 8 1/4 inches 120 x 120 x 21 cm

    Art Observed | Pier Paolo Calzolari: "And I Say" at Marianne Boesky Gallery

    March 13, 2017
  • Hannah van Bart Untitled, 2016 (detail) Oil on linen 33 1/2 x 23 5/8 inches 85 x 60 cm

    Art Observed | Hannah van Bart: 'The Smudge Waves Back' at Marianne Boesky Gallery

    February 2, 2017
  • Martyn Cross Let Us Go Hence, 2022 Oil on canvas 40 x 32 1/8 inches 101.6 x 81.6 cm

    Axisweb | Artist of the Month: Martyn Cross

    January 6, 2017
  • Hannah van Bart Untitled, 2016 (detail) Oil on linen 53 1/4 x 31 1/2 inches 135.3 x 80 cm

    Artforum | Critics' Picks: Hannah van Bart

    January 5, 2017
  • The Aldrich Contemporary Art Museum | Excerpt from Just Left Feel Right Exhibition Catalog, Third Party

    The Aldrich Contemporary Art Museum | Excerpt from Just Left Feel Right Exhibition Catalog

    Third Party
    January 1, 2017
  • Dashiell Manley Elegy for whatever (the angular appearance), 2016 (detail) Oil on linen 61 x 38 inches 154.9 x 96.5 cm

    Blouin ArtInfo | Breakdown: Dashiell Manley Deconstructs the News

    November 17, 2016
  • Salvatore Scarpitta Mail Box (Detail), 1960 Bandages and mixed media 30 1/3 x 23 1/4 inches 77 x 59 cm

    Cultured | Salvatore Scarpitta's Artistic Rebirth

    October 12, 2016
  • Crush Fanzine | Jessica Jackson Hutchins Interview

    Crush Fanzine | Jessica Jackson Hutchins Interview

    September 13, 2016
  • Any Fallow Field (Installation View) Marianne Boesky Gallery, New York, NY 2016 Photo Credit: Christopher Burke Studio

    Art in America | In The Studio: Donald Moffett

    August 31, 2016
  • Sanford Biggers Untitled, 2016 (detail) Antique quilt, fabric treated acrylic, spray paint, tar 70 x 81 inches 177.8 x 205.7 cm

    Interview Magazine | Artists at Work: Sanford Biggers

    August 16, 2016
  • Hans Op de Beeck The Collector's House, 2016 (detail) Sculptural Installation: Coated wood, coated polyester, pigmented plaster, PU, metal, glass 787 3/8 x 492 1/8 x 157 1/2 inches 2000 x 1250 x 400 cm

    CoBo Social | The Collector's House – Hans Op de Beeck

    July 12, 2016
  • Anthony Pearson Untitled (Plaster Positive), 2015 (detail) Pigmented hydrocal in walnut frame 28 3/4 x 21 3/4 x 3 1/4 inches 73 x 55.2 x 8.3 cm

    Studio International | Anthony Pearson: ‘I am seeking an inventive form as opposed to a clearly conventional one’

    July 1, 2016
  • Sanford Biggers BAM (for Michael), 2015 Unique within a series Polished bronze Accompanied by an HD video Total Runtime: 1:22 minutes 19 x 5 x 5 inches 48.3 x 12.7 x 12.7 cm

    Cultured | Rewriting History with Sanford Biggers

    June 10, 2016
  • Gina Beavers Burger Eye, 2015 Acrylic on linen on panel 31 x 31 inches 78.7 x 78.7 cm

    Frieze | Body Work: The Relief Paintings of Gina Beavers

    May 6, 2016
  • John Houck Potential Energy, 2016 (detail) Archival pigment print Framed Dimensions: 30 x 24 1/2 inches 76.2 x 62.2 cm

    Atlas Art News | John Houck, an Atlas Discussion

    April 28, 2016
  • Serge Alain Nitegeka Bundle V, 2016 Paint on wood 43 3/4 x 39 x 4 1/4 inches 111.1 x 99.1 x 10.8 cm

    The Wall Street Journal | Forms, Portraits and Cars

    April 11, 2016
  • John Houck Coordinate System #01.05, 2016 (detail) Flashe paint on archival pigment print 28 1/2 x 21 1/2 inches 72.4 x 54.6 cm

    The Brooklyn Rail | John Houck with Charlie Schultz

    April 1, 2016
  • Björn Braun Untitled, 2015 (detail) Aluminum 27 x 34 1/2 inches 68.5 x 88 cm

    Art in America | Björn Braun

    March 17, 2016
  • And I Say (Installation View) Marianne Boesky Gallery, New York, NY 2017 Photo Credit: Object Studies

    Modern Painters | Q&A with Pier Paolo Calzolari

    March 8, 2016
  • Barnaby Furnas The First Morning (Ultramarine), 2015 Acrylic, dispersed pigment, pencil, colored pencil on prepared linen 72 1/8 x 102 1/8 inches 183.2 x 259.4 cm

    BOMB Magazine | Barnaby Furnas Interview

    February 3, 2016
  • Frank Stella K.81 combo (K.37 and K.43) large size, 2009 Protogen RPT with stainless steel tubing 180 x 192 x 120 inches 457.2 x 487.7 x 304.8 cm

    Artforum | Frank Stella at the Whitney Museum of American Art

    February 2, 2016
  • Jacco Olivier Equilibrium II, 2015 (detail) HD Animation Total running time: 3 min, 20 seconds Projection size: 37 3/8 x 33 1/2 inches 95 x 85 cm

    Wallpaper* | Light Work: Artist Jacco Olivier Fuses Painting and Film to Mysterious Effect

    January 14, 2016
  • Jessica Jackson Hutchins Untitled, Piano Print, 2010 Ink on paper 69 x 75 1/2 inches 175.3 x 191.8 cm

    Artforum | Review: Jessica Jackson Hutchins

    January 1, 2016
  • Anthony Pearson Untitled (Etched Plaster), 2015 Medium coated pigmented hydrocal in walnut frame 41 x 30 1/2 x 2 1/2 inches 104.1 x 77.5 x 6.4 cm

    The New York Times Style Magazine | Art That Blurs the Line Between Painting and Sculpture

    November 17, 2015
  • Sue de Beer Untitled (Still from The Blue Lenses), 2015 Digital metallic c-print 27 x 22 inches 68.6 x 55.9 cm

    Art in America | Sue de Beer at Boesky East

    November 17, 2015
  • Serge Alain Nitegeka Structural Configuration IV, 2015 Paint on wood 96 x 96 inches 244 x 244 cm

    Hyperallergic | Mining the Rich Interspace Between Painting, Sculpture, and Architecture

    November 12, 2015
  • Svenja Deininger Untitled, 2012 (detail) Oil on canvas 11 x 8 1/4 inches 28 x 21 cm

    The New Yorker | Review: Svenja Deininger

    November 7, 2015
  • Björn Braun 12 : 3 : 1, 2015 (detail) Birds nests, eggs, glue 32 x 26 1/4 x 2 inches 81.5 x 66.5 x 5 cm

    Interview Magazine | Björn Braun's Birds

    November 3, 2015
  • John Houck A Shadow the Sun Will Never Reach, 2013 (detail) Archival pigment print 46 1/2 x 33 1/2 inches 118.1 x 85.1 cm

    Art in America | Houck's Progress

    November 1, 2015
  • Donald Moffett Lot 090709 (19o), 2009 Oil on linen with wood panel support 17 x 17 inches 43.2 x 43.2 cm

    Art Ltd. | Appreciation: Donald Moffett

    November 1, 2015
  • The Blue Lenses (Installation View) Marianne Boesky Gallery, New York, NY 2015 Photo Credit: Bill Orcutt

    The New York Times | A Video Artist Playing With Themes of Orientalism

    October 20, 2015
  • First Morning (Installation View) Marianne Boesky Gallery, New York, NY 2015 Photo Credit: Bill Orcutt

    Art Observed | Barnaby Furnas: 'First Morning' at Marianne Boesky

    October 4, 2015
  • Barnaby Furnas The First Place, 2015 Acrylic, dispersed pigment, pencil, colored pencil on prepared linen 94 x 102 inches 238.8 x 259.1 cm

    Artspace | Barnaby Furnas on His New Paintings of Celestial Battles, and the Allure of Quaker Mysticism

    September 10, 2015
  • Sue de Beer Untitled (Still from The Blue Lenses), 2015 Digital metallic c-print 27 x 22 inches 68.6 x 55.9 cm

    Artforum | Critics' Picks: Sue de Beer

    September 1, 2015
  • Sue de Beer Untitled (Film Still from The Quickening), 2006 C-print 29 1/2 x 40 inches 74.9 x 101.6 cm

    Modern Painters | Tinted Visions: Sue de Beer at Boesky East

    August 30, 2015
  • I Do Choose (Installation View) Marianne Boesky Gallery, New York, NY 2015

    Artspace | Jessica Jackson Hutchins on Becoming an Accidental Painter & Building a New Art Scene in Portland

    August 6, 2015
  • Jessica Jackson Hutchins Ultrasuede Wave, 2015 Sofa, oil stick, glazed ceramic 85 1/2 x 64 x 41 inches 217.2 x 162.6 x 104.1 cm

    Vulture | Jerry Saltz: Jessica Jackson Hutchins Finds Truth in Clay

    May 29, 2015
  • The Drawing Room (Installation View) Marianne Boesky Gallery, New York, NY 2015 Photo Credit: Bill Orcutt

    Mousse Magazine | Hans Op de Beeck: "The Drawing Room"

    April 21, 2015
  • Julia Dault Drama Queen, 2014 (detail) Acrylic and oil on canvas in painted wood frame 61 1/2 x 42 1/2 inches 156.2 x 108 cm

    The New Yorker | Review: Julia Dault

    March 17, 2015
  • Julia Dault K'Nex, 2013-2014 Acrylic and oil on canvas in painted wood frame 48 x 48 inches 121.9 x 121.9 cm

    Interview Magazine | Julia Dault's Mark

    February 24, 2015
  • Julia Dault Chasing Waterfalls, 2014 (detail) Acrylic and oil on canvas in painted wood frame 36 x 24 inches 91.4 x 61 cm

    Artforum | Critics' Picks: Julia Dault

    February 1, 2015
  • Beverly Hills John (Installation View) Marianne Boesky Gallery, New York, NY 2015

    The New York Times | It's 'Pink Flamingos,' But, You Know, for Kids

    December 21, 2014
  • Frank Stella K.150, 2014 ABS RPT 96 x 66 x 75 inches 243.8 x 167.6 x 190.5 cm

    The Village Voice | Lives of the Imaginary Poets and Stars Both Puff and Dead

    December 3, 2014
  • Melissa Gordon Material Evidence (Table), 2014 Acrylic on linen 51 1/8 x 51 1/8 inches 130 x 130 cm

    Hyperallergic | Repainting the Readymade

    November 6, 2014
  • Frank Stella Fishkill, 1995 Cast stainless steel with carbon steel 135 x 171 x 130 inches 342.9 x 434.3 x 330.2 cm

    The Wall Street Journal | Artist Frank Stella Continues to Provoke

    November 4, 2014
  • Gina Beavers Who Has Braces?, 2014 Acrylic on canvas panel with wood frame

    Artforum | Critics' Picks: Gina Beavers

    September 26, 2014
  • Dashiell Manley The Great Train Robbery (Scene 3), 2013 Two-channel video, JPEG files transferred to digital video 8:35 minutes.

    Studio International | Dashiell Manley Interview: 'I approach most projects as if making a film'

    September 10, 2014
  • Salvatore Scarpitta Cot and Lock Step n.2 Cargo, 1989-2000 Cloth, wood, metal and mixed media 24 x 144 x 35 7/8 inches 61 x 366 x 91 cm

    The Washington Post | Take A Ride Through Artist Salvatore Scarpitta's Works in Hirshhorn Exhibition

    July 26, 2014
  • Salvatore Scarpitta Trevis Race Car (Sal Gambler Special), 1985 Race car 76 x 150 x 66 inches 193 x 381 x 168 cm

    The Wall Street Journal | Race Cars Star in Hirschhorn's Scarpitta Retrospective

    July 17, 2014
  • Hannah van Bart The man, the trees, the light, 2013 (detail) Oil on linen 57 x 45 1/4 inches 145 x 115 cm

    Modern Painters | Hannah van bart: The Story Behind an Artwork, in the Artist's Own Words

    May 1, 2014
  • William J. O'Brien Untitled, 2011 Ceramic 15 x 14 x 11 inches 38.1 x 35.6 x 27.9 cm

    The Brooklyn Rail | William J. O'Brien

    April 1, 2014
  • She could steal but she could not rob (Installation View) Galerie Kamm, Berlin, Germany 2013 Photo Credit: Andrea Rossetti

    Frieze | In Focus: Claudia Wieser

    March 20, 2014
  • Jay Heikes Filthy Minds, 2012 (detail) Paper, ink and aluminum 48 x 36 inches 121.9 x 91.4 cm

    Sightlines at the Walker Art Center | A Table of Curious Elements: Jay Heikes on Filthy Minds

    July 3, 2013
  • Jennifer Bartlett Twins, 2005-2006 (detail) Enamel over silkscreen grid on baked enamel, steel plates, 106 3/8 x 279 5/8 inches 270 x 710 cm

    The New York Times | Organizing an Organizer's Life

    June 20, 2013
  • Julia Dault Untitled 19 3:00 PM–8:30 PM, February 4, 2012, 2012 Plexiglas, Tambour, Everlast boxing wraps, string Dimensions variable As installed: 67 1/4 x 57 1/2 x 49 inches 170.8 x 146 x 124.5 cm

    Border Crossings | Imperfect Perfections

    June 1, 2013
  • When the Dreamer Dies What Happens to the Dream? (Installation View) Marianne Boesky Gallery, New York, NY 2012

    Sculpture Magazine | Pier Paolo Calzolari

    March 1, 2013
  • Svenja Deininger Untitled, 2012 (detail) Oil on canvas 11 x 8 1/4 inches 28 x 21 cm

    The Observer | Svenja Deininger: One Second Balance

    January 29, 2013
  • Pier Paolo Calzolari Untitled, 1988 Burnt salt, refrigeration unit, refrigerator motor, lead 153 1.2 x 172 x 22 7/8 inches

    Art in America | Pier Paolo Calzolari: Marianne Boesky and Pace

    September 1, 2012
  • Pier Paolo Calzolari Scala (con piuma) Stairway (with feather), 1972 (detail) Frozen structure, blue neon tube, feather, refrigerator motor, lead sheet 111 3/8 x 89 3/4 x 61 inches 283 x 228 x 155 cm

    The New York Times | Door Between Galleries Lets in an Artist's Vision

    April 27, 2012
  • Structures for Viewing (Installation View) Marianne Boesky Gallery, New York, NY 2012

    Arts Observer | Melissa Gordon's Color-Blocked Canvases Reference Printed Media

    January 30, 2012
  • Pier Paolo Calzolari Untitled, 2008 Burnt felt, dyes, leather, iron, metal structure 137 7/8 x 111 x 40 1/8 inches 350 x 282 x 102 cm

    Art in America | Pace and Boesky Join Forces

    January 1, 2012
  • Suzanne McClelland Roxanne, Roxanne, 2011 (detail) Polymer, charcoal, pastel on linen

    BOMB Magazine | Barry Schwabsky

    January 1, 2012
  • Jacco Olivier Birds, 2003 (detail) Animation on DVD Projected size: 6.3 x 9.45 inches 16 x 24 cm

    The New York Times | Park Life at Dusk

    November 17, 2011
  • Trajectory (Installation View) Marianne Boesky Gallery, New York, 2011

    Art in America | Salvatore Scarpitta

    October 9, 2011
  • Rhapsody (Installation View) Digital Image © 2019 The Museum of Modern Art, New York. Photographed by John Wronn

    The New York Times | Jennifer Bartlett's Epic 'Rhapsody' Back on View at the Modern

    April 29, 2011
  • Jennifer Bartlett, Recitative, 2009–10, enamel, silk screen, and baked enamel on 372 steel plates, overall 11′ 2″ x 158′ 3″.

    Artforum | Jennifer Bartlett

    March 1, 2011
  • Jennifer Bartlett’s “Recitative” (2009-10) (all photos by author)

    HyperAllergic | Jennifer Bartlett's Building Blocks of Art

    January 20, 2011
  • Inanimate Life (Installation View) Marianne Boesky Gallery, New York, NY 2010

    The New York Times | Jay Heikes: 'Inanimate Life'

    October 22, 2010
  • Björn Braun Untitled (Nest), 2010 Branches, cord, nylon cord 6 1/2 x 6 1/2 x 4 1/2 inches 17 x 17 x 11 cm

    Frieze | Björn Braun

    April 10, 2010
  • Jennifer Bartlett, Chicken Tracks, 1973. Enamel over silkscreen on steel plates, 38 x 38 inches (96.5 x 96.5 cm) © 2012 Jennifer Bartlett. Jennifer Bartlett.

    Artnet Magazine | Dot Delirium

    November 10, 2006
  • Barnaby Furnas Red Sea, 2006 (detail) Urethane on canvas 11.6 x 26 feet 138 x 312 inches 350.5 x 792.5 cm

    The New Yorker | The Pour

    March 13, 2006
  • Jennifer Bartlett, Houses in Motion, 1998-1999, oil on canvas, 84 x 84 inches.

    BOMB Magazine | Jennifer Bartlett: Interview with Elizabeth Murray

    October 1, 2005
  • Suzanne McClelland Cover of Out of Character Exhibition catalog / Artist's book, 2000

    Art on Paper | Talking Points: Conversation in the Art of Sophie Calle, Joseph Grigely, and Suzanne McClelland

    May 1, 2000

  • The New York Times | Art in Review

    April 26, 1996

  • tema celeste | Female Heroism: One Portrayal, Four Portraits

    December 1, 1992
  • ARTFORUM | Suzanne McClelland at Stephanie Theodore Gallery

    ARTFORUM | Suzanne McClelland at Stephanie Theodore Gallery

    February 1, 1992
  • Whitney Museum of American Art Exhibition Catalog | Suzanne McClelland: Painting

    Whitney Museum of American Art Exhibition Catalog | Suzanne McClelland: Painting

    January 1, 1992

  • Penine Gallery | Excerpt from Nomos Catalog Essay

    October 19, 1991
  • The New York Times | Art in Review: Suzanne McClelland

    The New York Times | Art in Review: Suzanne McClelland

    October 18, 1991
  • Stephanie Theodore Gallery | Suzanne McClelland

    Stephanie Theodore Gallery | Suzanne McClelland

    October 1, 1991
  • Arts Magazine Summer Issue, 1991

    Arts Magazine | Painting and it's Others in the Realm of the Feminine

    June 1, 1991
  • Arts Magazine | Cries and Whispers: Suzanne McClelland's Ta Da, 1990

    Arts Magazine | Cries and Whispers: Suzanne McClelland's Ta Da, 1990

    June 1, 1990
  • The New Yorker | Profiles: Getting Everything In

    The New Yorker | Profiles: Getting Everything In

    April 15, 1985
  • The New York Times | Gallery View

    The New York Times | Gallery View

    May 16, 1976

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